Patrick Frater Asia Bureau Chief These days Jane Campion – Palme d’Or and Oscar-winning film director – is celebrated for a vein of heartfelt cinema that is aching and quirky, rather than gushing.
She’s also an intelligent and determined female pioneer who has had to struggle for her present standing in a male-dominated industry.
The Sydney Film Festival this week is showcasing and contextualizing her body of work. Its screening program includes all nine of her feature works, from “Two Friends” to “The Power of the Dog,” and a selection of her short films. “For our 70th edition, we wanted to present a retrospective commensurate with the milestone, reflecting the audacious and boundary pushing filmmaking synonymous with our festival and region.
There was no one more appropriate than Jane Campion,” said SFF director Nashen Moodley in notes ahead of the event. On Saturday, the festival screened Julie Bertucelli’s 2022 documentary “Jane Campion, the Cinema Woman” ahead of an on-stage interview between Campion and critic and former SFF programmer David Stratton.
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