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Gene Maddaus Senior Media Writer The Animation Guild has ratified its contract with the major studios, despite concerns from some about protections against artificial intelligence. The guild announced that 76.1% of the members voted in favor of the deal. “This agreement is the next step forward in our goal to create the strongest contract for our members,” said Steve Kaplan, the business representative of the union, in a statement.

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Animation’s ‘Race to Amazing Artistic Expression,’ Unpacked at Variety’s Annecy Panel

Marta Balaga Studios shouldn’t rely just on IP-based content to make artistically bold choices, said director Jeff Rowe at Annecy. “Right now, things like ‘Spider-Man: Across the Spider-Verse Sperverse’ are this Trojan horse – they are taking a well-known IP and using that to break artistic boundaries and move the medium forward. My hope is that the studios will take these kinds of risks also with original ideas.” Rowe, now behind “Teenage Mutant Ninja Turtles: Mutant Mayhem,” spoke out at Variety’s “Breaking the Borders of Animation” panel, moderated by its chief film critic Peter Debruge.

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The 2022 Oscar Winners and Nominees

Nicole Kidman Judi Dench Olivia Colman Will Smith Jessie Buckley Ariana Debose Jessica Chastain Javier Bardem Penelope Cruz Greig Fraser Mike Rianda Janusz Kamiński Jared Bush Phil Lord Byron Howard Monica Hellström Don Hall Jane Campion Tammy Faye Jonas Poher Rasmussen Peter Del Vecho Troy Kotsur Jenny Beavan Clark Spencer Washington Charlotte county Hinds city Belfast, county Hinds film Music and

How ‘The Mitchells vs the Machines’ Production Designer Lindsey Olivares Found A Film Student’s Perspective With “Katie Vision”

For Netflix’s The Mitchells vs. the Machines, produced by Sony Pictures Animation, the idea of “Katie Vision” was bounced around for a bit, until production designer Lindsey Olivares got her hands on one of their animation tests. Director Mike Rianda said, “One weekend without telling anyone, she just stole some animation and drew on the screen and made it just with the crappy Photoshop she had on her computer. It was so exciting to see basically the super-expensive animated movie that some teenager had graffitied all over.”

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Oscar-Nominated Animation Filmmakers and VFX Artisans to Speak in Free Online VIEW Conference Panels

Terry Flores The VIEW Conference, in partnership with OGR, presents a full slate of free virtual PreVIEW panels in March featuring an array of Oscar nominees.First, on Friday, March 4, at 10 a.m. PT, will be a talk with the filmmakers behind the five nominees for animated feature.

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‘The Mitchells Vs The Machines’ Filmmakers Mike Rianda, Phil Lord, And Chris Miller On “Pushing The Medium” To Earn An Oscar Nom

Netflix’s The Mitchells vs the Machines, produced by Sony Pictures Animation, received an Oscar nomination for Best Animated Feature this morning. Along with Flee, Mitchells is one of only two animated films nominated that aren’t made by Disney.

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Animation Directors Use New Tech and Styles to Tell Modern Stories

Paul Plunkett In today’s high-tech world, there are as many ways to make an animated film as there are film genres. Each year’s top animated features span everything from family fare to real-life documentaries and everything in between, and today’s animation directors have as many, or as few, tools at their disposal to tell their stories as they want.For Sony Pictures Animation’s “The Mitchells vs.

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‘The Mitchells vs. The Machines’ Becomes Netflix Biggest Animated Film As Streamer Reveals More Viewing Data

The Mitchells vs. The Machines, featuring the voices of Danny McBride and Olivia Colman, has become Netflix’s biggest animated film to date.

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