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John Hopewell Chief International Correspondent 10 films underscoring Mexican cinemas drive into diversity: “Huesera,” (Michelle Garza Cervera) Valeria is pregnant, but something is wrong with the baby. Shades of “Rosemary’s Baby,” but “Huesera” goes its own way, as Valeria gradually realizes what for her is really horror. Genre and LGBTQ, a double winner at Tribeca, taking its coveted New Narrative Director hardware, and picked up by XYZ Films for most world sales. “A terrifying, bone-breaking body horror nightmare,” said Variety. Produced by Mexico’s Napa Films and Machete Films, the latter behind Cannes winners “Leap Year” and “La Jaula de Oro.”

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Raúl Castillo Joins Maika Monroe & Mary Elizabeth Winstead In 20th’s ‘The Hand That Rocks The Cradle’

EXCLUSIVE: On the back of Smile 2‘s box office success, Raúl Castillo has come aboard for a supporting role in The Hand That Rocks the Cradle, 20th Century Studios‘ remake of the classic 1992 psychological thriller, starring Maika Monroe and Mary Elizabeth Winstead.

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Director Hugo Ruiz Unpacks Tribeca Winner ‘One Night With Adela’

Emiliano Granada Ensconsed in Tribeca’s Midnight section, Spain’s “One Night With Adela” the feature debut of Hugo Ruiz, came pretty much from nowhere to walk off with the festival’s best new narrative director award, won in the past by Michelle Garza Cervera for “Huesera.” Produced by Spain’s Muertos de Envidia Company and FTFCam, the film follows Adela, a deeply wounded and disturbed night sweeper that is hellbent on retaliating against those who she believes have wronged her. Over the course of one night, we accompany Adela, slowly putting together the pieces of who she truly is. Shot on a variety of one shot sequences that find a style and aesthetic in the bleak night universe that Adela traverses, the film is driven by Laura Galán who proves once again – after Sundance hit “Piggy” (2022) – that she has the acting strength to carry an entire film by herself. #ConUnPack will handle international sales and distribution in Spain.

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Mexico Pushes Diversity

John Hopewell Chief International Correspondent Eight of the 10 directors in the Morelia Festival’s main Mexican competition are women, led by two of the biggest Mexican fest hits of the year,“Robe of Gems,” Natalia López Gallardo’s Berlin Special Jury laureate, and “Huesera,” from Michelle Garza Cervera, a double Tribeca winner. Features with Indigenous or Black Mexican protagonists have shot up in Mexico, from 14 in 2019 to 31 in 2019, according to Imcine’s Mexican Cinema Yearbook. In 2017, Mexico’s biggest homegrown hit was Nicolas López’s “Do It Like an Hombre,” a merciless taunt of a Mexican macho’s helpless homophobia, which grossed $11.0 million in the country.

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‘Huesera’ Producer Machete Unveils ‘Cachorra,’ 2022-23 Slate (EXCLUSIVE)

John Hopewell Chief International CorrespondentFollowing on “Huesera,” a double Tribeca winner, Mexico’s Machete, headed by Edher Campos, is returning to female filmmaker social issue genre with “Cachorra,” a darkly humoured horror thriller set on the Mexico-U.S. desert border.The feature debut of Madrid-based genre scribe and consultant Elisa Puerto Aubel, who penned Sitges Audience Award winner. “La venganza de Jairo,” “Cachorra” is one of the newest additions to a five movie 2002-23 slate at Machete, producer of Cannes Festival winners “Leap Year” and “La Jaula de Oro.” It forms part of a robust lineup at this week’s Sanfic-Mórbido Lab, which packs many of Sanfic Industria’s most commercial propositions, All of Machete’s films, three now in post-production, carry social point.

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‘To Kill the Beast’ Director Agustina San Martin, Vega Cine, Gualicho Cine Team for ‘Todo el Mundo’ (EXCLUSIVE)

John Hopewell Chief International CorrespondentA leading light of Latin America’s new generation of female cineastes – think Michelle Garza Cervera, Valentina Mourel – “To Kill the Beast” director Agustina San Martín is teaming with Buenos Aires-based Vega Cine and Cordoba Argentina’s Gualicho Cine for a new feature, “Todo el Mundo.”Selected for San Sebastian’s 2022 Europe-Latin America Co-Production Forum in September, “Todo el Mundo” unspools in a world not so distant from “To Kill the Beast” (“Matar a la Bestia”) or the sensibilities of San Martín. A ’90s-set coming-of-age tale, it turns on the burgeoning relationship between Serena, 15, whose face is deformed after an accident, and Enzo, 17, a “dark” goth boy attracted by Serena’s scar. Serena begins to skip school, get home late and lie her mother. Her high-school friendships aren’t what they were before.

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Locarno Open Doors Standout ‘Diamond’: Empatía, Maravilla Team on the Andean Queer Universe Drama (EXCLUSIVE)

John Hopewell Chief International CorrespondentBuenos Aires-based Maravilla Cine, producer of 2018 Berlin Panorama player “Marilyn” and San Sebastian 2020 New Directors’ hit “That Weekend,” has boarded “Diamond” (“Diamante”), the first fiction feature from Bolivia’s Yashira Jordán which is shaping up as one of the standout titles at this year’s Locarno Open Doors.Maravilla Cine joins “Diamond” lead producer Empatia Cinema, rapidly consolidating as a production hub for Bolivian auteurs. Recent credits include Martín Boulocq’s “The Visitor” which premiered at June’s Tribeca Festival and Alejandro Quiroga’s Western “Los de abajo,” a Sanfic Industria pix-in-post winner in March 2021.Empatia Cinema and Maravilla Cine have jointly applied for a development grant from the Ibermedia regional film fund for Latin America, Spain and Portugal.

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‘You Won’t Be Alone’ Wins Bucheon Prize at BiFan Festival

Patrick Frater Asia Bureau ChiefThe Goran Stolevski-directed horror-drama “You Won’t Be Alone,” was Thursday named the best film at the Bucheon International Fantastic Film Festival, Korea’s leading genre film event.The Australia-U.K.-Serbia co-production is set in Macedonia and stars Noomi Rapace in a 19th century tale about a young girl who is transformed into a witch. It premiered at the Sundance festival in January and recently played in Sydney.

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‘Huesera’ Review: The Terrors of Modern Motherhood Anchor This Eerie Mexican Folk Tale

Manuel Betancourt “When you become a mother, you feel like you are split in two,” a character says late in Michelle Garza Cervera’s “Huesera.” The words are supposed to be comforting, a reminder that the physical and emotional toll the pregnancy is taking on young Valeria (Natalia Solien) is not just natural, but expected. “And just wait for when you’re in labor! You’ll literally feel like your bones are breaking!” By the time the audience hears those words, it’s clear this Mexican body horror film is mining such fears in very literal ways for what’s a haunting and probing story about the horrors of motherhood.Pregnancy, as it turns out, has made Valeria lose her bearings. She does in fact feel split in two and images and sounds of broken bones haunt her wherever she goes.

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