Michael Fetter Nathansky

Callum McLennan It may not match last year’s sheer quantity in competition strands, but Spain still boasts a high quality presence at the Berlinale. Following, highlights the festival and EFM: “Every You Every Me,” (Michael Fetter Nathansky) A factory worker strives to reconnect with her distant husband, exploring the rediscovery of love within the complexities of relationships. From Contando Films, Studio Zentral, Network Movie and Nephilim, a German-Spanish production.

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Miffest to Open With Woo Ming Jin’s ‘Indera,’ Sets Competition and Awards for Christine Hakim, Kore-eda Hirokazu – Global Bulletin

Patrick Frater Asia Bureau Chief The Malaysia International Film Festival (Miffest), which runs July 21-28, will open with horror film “Indera” by local director Woo Ming Jin and starring Shaheizy Sam and Azira Shafinaz. The festival will conclude with the double feature of “Love Lies” by Ho Miu Ki and “Peg O’ My Heart” by Nick Cheung.

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Berlinale Film ‘Every You Every Me,’ About Falling Out of Love With Your Partner, Picked Up by Be For Films (EXCLUSIVE)

Leo Barraclough International Features Editor Be For Films, an independent film sales company based in Brussels, has acquired international rights to German filmmaker Michael Fetter Nathansky‘s “Every You Every Me,” which has been selected in the Panorama section of the Berlinale. “Every You Every Me” won two Work-in-Progress Awards, under its previous title “Mannequins,” at the San Sebastian Film Festival.

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‘The Ordinaries’ Director Sophie Linnenbaum on ‘Mechanisms of Exclusion’

Alissa Simon Film CriticDo you ever think about the narrative that governs your everyday life? You certainly will after watching the idiosyncratic German tragicomedy “The Ordinaries,” which fizzes with remake potential. For her debut feature, premiering in the main competition at Karlovy Vary, German director-writer Sophie Linnenbaum and her co-scripter Michael Fetter Nathansky create a high-concept, meta-cinema world that uses the process of filmmaking to deconstruct the power of the narratives and how they determine our thoughts and actions.The basic idea for this world came early on to Linnenbaum, with the short “[Out of Fra]me” (2016), made while she attended Film University Babelsberg Konrad Wolf.

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Michael Fetter Nathansky: Last News

Miffest to Open With Woo Ming Jin’s ‘Indera,’ Sets Competition and Awards for Christine Hakim, Kore-eda Hirokazu – Global Bulletin

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