Jussi Rantamäki - celebsbar.com

John Hopewell Chief International Correspondent LILLE, France — “Yours, Margot,” from “Compartment No 6’s” Juho Kuosmanen, Guatemalan Cannes Camera d’Or winner César Díaz (“Our Mothers”) and Brazil’s Beatriz Seigner (“Los Silencios”) have won the three prizes on offer at the first edition of Seriesmakers. A mentoring program for filmmakers making their TV creator debut, after an inaugural edition delivering one of the most talent-packed project lineups at any festival, film or TV, in 2023, Seriesmakers backers Beta Group and Series Mania opened on Wednesday a call for admissions for a second edition. Though all three series range hugely in setting and creators, all three see their protagonists go back to a recent past to explore events that have impacted their family (“Yours, Margot”), their modern-day country (“The Invisible Ink”), or traumas in the present (“Amigas”).

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Finland’s ‘Yours, Margot’ And Belgium-Uruguay Co-Pro ‘The Invisible Ink’ Win Beta And Series Mania Seriesmakers Initiative

A project from Finland and a Belgium-Uruguay co-production have won the Seriesmaker initiative here at Series Mania.

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‘Compartment No. 6’ Helmer Juho Kuosmanen Re-Teams With Adri Feldmanis and Livia Ulman for ‘Yours, Margot’ (EXCLUSIVE)

Marta Balaga Finnish director Juho Kuosmanen, behind “Compartment No. 6” and “The Happiest Day in the Life of Olli Mäki”– both awarded in Cannes – will now turn his attention to new series “Yours, Margot,.” The upcoming series is one of the 10 projects chosen for Series Mania and Beta Group’s Seriesmakers. Based on Meri Valkama’s novel, “Compartment” will be produced, just like his previous films, by Helsinki-based Aamu Film Company, with “Compartment” scribes Andri Feldmanis and Livia Ulman also on board. This time Kuosmanen dissects the experiences of Vilja, who spent her childhood in East Berlin, following her foreign correspondent father. After his death, she finds old letters to “Erich,” all from mysterious “Margot.” Now, as an adult, she decides to return to Berlin and track her down.

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Finland Bets on Black Humor and ‘Bold, Risky’ Topics at Series Mania (EXCLUSIVE)

Marta Balaga As proven by a slew of new shows in development, series creators from Finland keep on experimenting. “People are exploring some bold, risky topics. Ones that make you go: ‘Wow, they are really making a show about that?’,” says Laura Kuulasmaa, executive director from the producers’ association APFI. Aamu Film Company’s “Monster,” about a teenage Nicke, realizing he is in love with his girlfriend’s 11-year-old sister, is bound to ignite discussions. “I wanted to do this show because I believe that raising awareness of minor-attracted persons can save children from abuse,” creator Eva-Maria Koskinen tells Variety.

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‘Compartment No. 6’ Production Company Aamu Film Company Joins Forces With Jenni Jauri’s Silmu Films (EXCLUSIVE)

Aamu Film Company will invest in Jenni Jauri’s new production company Silmu Films, Variety has found out exclusively. Aamu, founded in 2001 and co-owned by Jussi Rantamäki and Emilia Haukka, has become a local arthouse powerhouse thanks to its festival-friendly slate, especially Juho Kuosmanen’s “The Happiest Day in the Life of Olli Mäki” and Golden Globe-nominated “Compartment No. 6,” awarded the Grand Prix in Cannes. “We had a good film with decent sales and we started to think about what we should do next,” Rantamäki said. “Aamu’s brand is simple and clear: we only work with a select few directors. We don’t want to change that; we don’t want to turn into a factory where you don’t know what is happening and with whom. So first we decided not to grow, and then realized we could invest in a new company instead.”

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