Harry Gregson-Williams - celebsbar.com

Universal Music Publishing’s production music division has launched a new joint venture with TV and film composer Harry Gregson-Williams, which sees the creation of a new production music label to be known as Scored By: Harry Gregson-Williams.The label will make available music composed by Gregson-Williams and his team for use in film and TV, without the expense of having to hire the composer to create something bespoke. At launch, it is offering collections of music on various themes, including ‘pursuit’, ‘apprehension’ and ‘impulse’.“I’m extremely happy to be partnering with Universal Production Music on the creation of this new music label”, says Gregson-Williams.

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SCL Awards: ‘Wild Robot’ & ‘The Brutalist’ Take Top Film Prize; Two For Atticus Ross; Diane Warren Wins – Full List

The Wild Robot and The Brutalist took the Original Score film prizes, and Atticus Ross scored a pair of trophies at the sixth annual SCL Awards, which were handed out Wednesday night at the Skirball Cultural Center in Los Angeles. See the full winners list from the Society of Composers and Lyricists below.

Trent Reznor Atticus Ross Ridley Scott Luca Guadagnino Diane Warren Leopold Ross Harry Gregson-Williams Emilia Perez Los Angeles county Hall film song awards information composer Provident Enterprise

Society of Composers & Lyricists Awards Noms Led by ‘Emilia Pérez’ and Atticus Ross; Harry Gregson-Williams and Ridley Scott Set for Collaborators Award

Chris Willman Senior Music Writer and Chief Music Critic Leading contenders for the Society of Composers & Lyricists’ 2025 SCL Awards include “Emilia Pérez” composers Clément Ducol and Camille, who picked up three nominations, for their score and for two original songs from the musical drama. Matching that number as an individual was Atticus Ross, whose three nominations are split between his scoring work on “Shōgun” and a song for “Challengers.” The SCL’s nominations in eight film, television and interactive media categories were announced Wednesday morning, with the awards program scheduled to take place in Los Angeles on Feb.

Martin Scorsese Atticus Ross Ridley Scott Robbie Robertson Harry Gregson-Williams Chris Willman-Senior Emilia Perez Los Angeles county Scott Indiana Entertainment film song awards composer Music UPS

Period Films Inspire Scores with Unusual Instruments, Surprising Sounds

Jon Burlingame Movies set in the past often rely on music to tell us just where we are. Most, but not all, of the composers of this year’s period pieces felt the obligation to reflect time and place.

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Sound & Screen Film Underway With Hans Zimmer, Diane Warren, Harry Gregson-Williams, Kris Bowers, John Debney & More

The latest edition of Deadline’s Sound & Screen Film, the event where we shine a spotlight on some of the most intriguing and captivating scores heading into this year’s awards season, is underway Friday night at UCLA’s Royce Hall. We love this event at Deadline because we know how magical it is to see a 60-piece orchestra perform the music behind some of the year’s most exciting movies.

Pamela Anderson Andrew Wyatt Steve Macqueen Hans Zimmer Lykke Li 51 (51) Ridley Scott Diane Warren Alex Somers Royce Hall Kris Bowers Harry Gregson-Williams John Debney Emilia Perez Josh Lambert Netflix film information composer Music Provident

‘Gilded Age’ Score Is the Work of Musical Siblings Who Bring Class and Drive to the HBO Series

Jon Burlingame editorFrom the opening frames of HBO’s series “The Gilded Age,” the music of composers Harry Gregson-Williams and Rupert Gregson-Williams gives viewers a sense of the ambition and drive of “new money” in conflict with the “old money” of 1880s New York.The brothers — Harry based in Los Angeles, Rupert just outside London — generally work on different projects, and most often for features (Harry’s credits include “The Martian” and “The Last Duel,” while Rupert’s include “Wonder Woman” and “Aquaman”).But both are past Emmy nominees (“Electric Dreams” for Harry, “The Crown” for Rupert) and this is their second TV collaboration, after 2019’s Hulu series “Catch-22.” Given the sheer volume of music demanded by “The Gilded Age,” nearly six hours for the 10 episodes, they were happy to reunite professionally. “It was good to have two sets of hands on it,” says Harry.

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