Drew Dowdle: Last News

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Showtime’s ‘Waco’ Sequel Series Is Not Just Uneven, It’s Unethical: TV Review
Joshua Alston Thirty years after the deadly standoff between federal law enforcement and the Branch Davidian sect in Waco, Texas, even the most fundamental facts of the tragedy remain contested. Both sides insist the other initiated the initial volley of gunfire that killed four agents and six sectarians. The Bureau of Alcohol, Tobacco, and Firearms insists David Koresh and his followers later set fire to their compound, killing another 48 adults and 28 children in an act of mass suicide. The surviving Branch Davidians maintain that the FBI was the aggressor, and the deadly fire resulted from the ATF’s decision to deploy stun grenades and tear gas. The decades since have created only tighter knots of recrimination. But you might not get that impression from watching “Waco,” the 2018 Paramount Network miniseries about the nearly eight-week standoff and that fatal inferno. In the hands of brothers John Erick Dowdle and Drew Dowdle, who wrote and directed much of the series, the Branch Davidians are a misunderstood and largely peaceful sect led by Koresh (Taylor Kitsch), a complicated man, but one genuinely driven by conviction rather than megalomania. With Kitsch at the outer reaches of his charisma and the Dowdles’ flirting with hagiography, “Waco” is held back from greatness by its obsession with humanizing a narcissistic cult leader.
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