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‘Paul,’ About a Submissive House Cleaner, and ‘Sirens Call,’ About the Merfolk Subculture, Picked Up by Syndicado Ahead of Berlinale Premieres (EXCLUSIVE)

Leo Barraclough International Features Editor Syndicado Film Sales has boarded two films selected for Berlinale: “Paul” by Denis Côté, which has its world premiere in the Panorama Dokumente section, and “Sirens Call” by Miri Ian Gossing and Lina Sieckmann, which is part of the Forum lineup. Côté’s documentary focuses on Paul, who suffers from depression and social anxiety. He seeks safety by doing housework for dominant women, becoming the submissive “Cleaning Simp Paul.” By sharing his gently eccentric routines on social media, he combats his loneliness.

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Berlin Film Festival Unveils Panorama Lineup With New Movies by Denis Côté and Ira Sachs; Berlinale Special Titles Include ‘Islands,’ ‘Honey Bunch’ and ‘Köln 75’

Elsa Keslassy International Correspondent The Belin Film Festival has unveiled its Panorama lineup, including new works by Denis Côté, Ira Sachs, Michel Gondry and Shatara Michelle Ford, among others. Sachs’ movie, “Peter Hujar’s Day,” stars Ben Wishaw and Rebecca Hall.

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‘In Flames,’ ‘The Nature of Love’ producers win Canadian Media Producers Assn.’s 2023 Indiescreen Awards

Jennie Punter Pakistani Canadian filmmaker Anam Abbas has won the Canadian Media Producers Assn.’s 2023 Kevin Tierney Emerging Producer Award, it was announced Sept. 7 at the Indiescreen Awards, the opening event of the Toronto International Film Festival’s industry conference at Glenn Gould Studios. Abbas’ latest feature is writer and director Zarrar Kahn’s feature debut “In Flames,” a Pakistani Canadian horror-drama about a Karachi woman and her mother who are beset by malevolent figures from their past after the family patriarch dies.

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Toronto’s ‘Mademoiselle Kenopsia’ Debuts Trailer Teasing Film’s ‘Sense of Calm… While Still Provoking a Slight Anxiety’ (EXCLUSIVE)

Leo Barraclough International Features Editor The trailer has debuted for “Mademoiselle Kenopsia,” the latest film from Canadian filmmaker Denis Côté, who won awards at Berlin Film Festival with “Vic + Flo Saw a Bear” and Locarno with “Curling.” “Mademoiselle Kenopsia” had its world premiere at the Locarno Film Festival this month, and will premiere in North America at next month’s Toronto Film Festival in the Wavelengths section, which was unveiled Friday. H264 is handling international sales.

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H264 Launches World Sales Agency With ‘Red Rooms,’ ‘Mademoiselle Kenopsia,’ ‘Humanist Vampire’ (EXCLUSIVE)

Leo Barraclough International Features Editor Canada-based movie distributor and aggregator H264 is launching a world sales arm with the acquisition of “Red Rooms,” which has its world premiere next week in the Crystal Globe Competition of the Karlovy Vary Film Festival. The company is focused on festival-driven, innovative films. “Red Rooms,” directed by Quebec filmmaker Pascal Plante (“Fake Tattoos,” “Nadia, Butterfly”), is a cyber-thriller questioning the collective fascination with murderers. It will screen at Karlovy Vary on July 4, and will then open the Fantasia Film Festival on July 20 for its North American premiere. Montréal-based H264 is also ramping up its international slate by adding “Mademoiselle Kenopsia,” from filmmaker Denis Côté, who won awards at Berlin with “Vic + Flo Saw a Bear” and Locarno with “Curling.”

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Locarno Film Festival Launches Contest Offering Free Restoration Service to Winning Vintage Classic

Nick Vivarelli International Correspondent The Locarno Film Festival is launching a first-of-its-kind contest, offering a free complete restoration service to a selected vintage cinema classic. The contest is part of The Swiss fest’s Heritage Online program that was launched in 2021 when its Locarno Pro industry side branched out into vintage cinema creating a platform that serves as a database of film titles that premiered prior to 2005. The goal of the fest dedicated to indie cinema is to play an active role in restoring older films to their former glory and also to become a business facilitator between rights holders and classic film distributors, streaming platforms and other outlets.

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‘That Kind of Summer’ Review: A Shockingly Banal Look at Sexual Obsession

Peter Debruge Chief Film Critic“You are not here for a cure,” the founder of a 26-day sexual therapy retreat tells the small group of women enrolled in her program at the outset of “That Kind of Summer.” Laying out the ground rules for the sensitive self-awareness exercise that follows — a loosely structured hiatus from unhealthy temptations, designed for those whose out-of-control impulses have made their lives unmanageable — she reassures, “You are not forbidden any sexual thoughts or behavior here. You are not sick.”Shot on grainy Super 16 with the kind of unsteady handheld aesthetic that suggests the cameraperson really ought to get their inner ear checked, Denis Côté’s radically nonjudgmental “let’s talk about sex” drama looks and feels like a documentary — at least, it could pass as one until a giant CG tarantula crawls up the wall while one of the women is masturbating late in the game.

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Berlin Review: Denis Cote’s ‘That Kind of Summer’

An isolated house in the country, a small tribe of peculiar characters mostly keeping a wary distance from each other: That Kind of Summer (Un Ete Comme Ca) is a film set up perfectly for the pandemic era. The bonus zinger is that the house is a live-in retreat for supposedly, or maybe just possibly, recovering sex addicts. Nobody leaves, and everyone talks dirty. Denis Cote, the prolific Quebecois provocateur, must have been hugging himself when he thought of that one.

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How ‘The Noise of Engines’ Director Philippe Gregoire Pulled Off the Ultimate Family Movie

Ben Croll As he took questions both onstage and later out on the street following a Sunday night screening at the Torino Film Festival – where his film, “The Noise of Engines,” played in competition – director Philippe Grégoire found himself on the opposite end of an interaction he knew all too well.Like so many filmmakers, Grégoire himself was once an eager festivalgoer, often staying late after a screening to hear this or that director speak about their craft; in a move perhaps less common, Grégoire could pinpoint one of those moments – a Q&A with fellow Quebecois director Denis Côté, to be precise – as the exact point he decided to step behind the camera.“I was in the same exact place,” he tells Variety. “I had to take a decision.

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Berlin Winner Denis Cote on New Film ‘Social Hygiene,’ ‘Boring’ Radical Filmmaking, the Need for Male Humility

Berlinale Encounters hated to Variety about his latest feature before its world premiere on March 3. Cote, in interview, flows.

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‘Vic + Flo Saw a Bear’ Helmer Denis Cote Drops Trailer for Berlin Encounters Title ‘Social Hygiene’ (EXCLUSIVE)

John Hopewell Chief International CorrespondentFollowing hard on the heels of the film’s selection for this year’s Berlin Film Festival Encounters section, director Denis Côté has shared a first trailer for his new movie “Social Hygiene,” the latest from the Canadian director who won a Silver Bear for 2013’s “Vic+Flo Saw a Bear.”At first glance, if the trailer is anything to go by, “Social Hygiene” seems at first glance a perfect pandemic movie: characters talking much more than two meters apart in a fresh verdant Canadian countryside.Côté, however, wrote the movie — even down to its title — in 2015 when alone on holiday in Sarajevo “in a state of alienation.” The only COVID-19 connection is the film’s expression of a desire to flee and to

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