David Goyer: Last News

Netflix is moving forward with its feature film adaptation of the popular Black Samurai novels as it has tapped Chad Stahelski to direct and Leigh Dana Jackson to adapt. Stahelski will also produce along with Jason Spitz and Alex Young for 87Eleven Entertainment as well as John Schoenfelder and Russell Ackerman for Addictive Pictures.

EXCLUSIVE: In a competitive situation, 20th Century Studios has won rights to Test Drive, an original action spec from Matt Venne, to be produced by Safehouse Pictures.

EXCLUSIVE: UTA has signed director and producer Dean Israelite for representation in all areas.

Christopher Nolan wasn’t initially sold on the idea of directing The Dark Knight.

Zack Sharf Digital News Director Jonathan Nolan said during a recent interview on the “Armchair Expert” podcast with Dax Shepard that it took some convincing to get his brother, Christopher Nolan, to agree to direct “The Dark Knight.” The filmmaker had already hit a superhero movie slam dunk with “Batman Begins” and was hesitant to make another comic book movie because he didn’t want his career getting pigeonholed. “I worked on ‘Batman Begins’ in this slightly arm’s length capacity, but it was the one comic book my brother ever given me as a kid, ‘Batman: Year One,’ for my 14th birthday, and 10 years later I was on the set working with him,” Jonathan said, remembering thinking “this is nuts.” “Chris was on the fence about making another one,” Jonathan continued, noting that Chris went straight from “Batman Begins” into helming the magician thriller “The Prestige.” “He didn’t want to become a superhero movie director.” Jonathan said that Chris was “very proud” of “Batman Begins,” but “to me, it was like we built this amazing sports car, and I’m like, ‘Let’s take it for a drive.

EJ Panaligan editor Hulu released an official trailer for the upcoming “Hellraiser” reboot, starring Jamie Clayton as the iconic pin-riddled villain, Pinhead. In the trailer, Pinhead causes havoc for a young woman named Riley, played by Odessa A’zion. The 2022 reboot follows Riley as she struggles with addiction and comes across an ancient puzzle box whose sole purpose is to summon Cenobites, sadistic supernatural beings that come to Earth from another dimension. The original 1987 film saw Doug Bradley playing the leader of the Cenobites, and only in the later sequels was he then identified as Pinhead. The “Hellraiser” franchise has spanned across four theatrical films, six straight-to-home movies and multiple comic books.

Karen Idelson When Variety’s annual Entertainment & Technology Summit presented by City National Bank returns Sept. 15 at 1 Hotel in West Hollywood, creatives, executives and everyone in between will be looking for ways to use the latest technologies to tell the kinds of stories that hook audiences and keep them coming back to their chosen platform for more. Whether that means finding ways to use cutting-edge devices such as NFTs or even a more traditional theatrical release, events seem to be evolving at the speed of light. Writer and producer David Goyer, who will speak at the Producers in the Zeitgeist — Creating Across Platforms panel has had hits across the media landscape from the film “Blade” to the “Sandman” series. His experiences give him a particularly broad view of how creators can use new and existing media for their content.

Jennifer Maas TV Business WriterSPOILER ALERT: Do not read if you have not yet watched “A Dream of a Thousand Cats”/”Calliope,” the surprise 11th episode of “The Sandman” Season 1.Netflix’s “The Sandman” was always meant to have 11 episodes in its first season — you just didn’t know it until the special final installment, a two-part animated and live-action story titled “A Dream of a Thousand Cats”/”Calliope,” dropped Friday.Or, if you’re a diehard fan who has been following every piece of “Sandman” news since the TV adaptation of Neil Gaiman’s beloved graphic novels was first ordered to series in July 2019, you might have been slightly gaslit into not remembering that there were 11 episodes when the 10-episode season launched two weeks ago. “There may have been hints earlier.

 may have only premiered on Netflix last Friday, but fans are already looking to the future. It's no surprise considering that the 10-episode series is a long-awaited adaptation of Neil Gaiman's beloved comic book series that's finally arrived on the small screen after several failed attempts! And after an explosive season finale that leaves more problems than solutions, the biggest question that remains is, will there be a season 2? Nothing's been announced, and Gaiman played coy when ET posed the question to him and  co-creator Allan Heinberg.

SPOILER ALERT: This story discusses a few plot developments in “The Sandman,” currently streaming on Netflix.When viewers watch the ending credits for Netflix’s new series “The Sandman” — the long-anticipated adaptation of Neil Gaiman’s acclaimed graphic novel series chronicling the phantasmagoric exploits of Morpheus, aka Dream, aka the Sandman (Tom Sturridge) — they’ll behold the curious sight of the logo for DC Entertainment. Indeed, “The Sandman” was published by Vertigo, an imprint of DC Comics, from 1989 to 1996, and in the first two volumes, which make up Season 1 of the Netflix series, there are several direct references to and characters from the wider world of DC Comics.

Neil Gaiman didn’t have to do it. He could have left well enough alone.

J.J. Abrams’ Bad Robot is developing a darker reboot of DC Comics’ Constantine for HBO Max with Guy Bolton set to write.

Wesley Snipes is clearing up some misinformation about him.