With a title as bland as “Assassin Club”, one that seems to present the idea that screenwriter Thomas Dunn seemingly forgot to conjure up a better moniker for this Henry Golding thriller, it serves the dual purpose of describing a by-the-numbers globetrotting suspense-fest that could either drive the viewer into fits of boredom with the familiar beats it hits over and over again or act as a gateway drug for those new to the genre. Continue reading ‘Assassin Club’ Review: Watching This Weak Movie Will Make Anyone Want To Cancel Their Membership at The Playlist.