By Dade Hayes Finance Editor EXCLUSIVE: At Steiner Studios, along the river’s edge in Brooklyn, the mailroom is still open.
The rest of the city may be empty, its famous avenues deserted, but workers at the film and TV companies based at Steiner’s 50-acre complex don requisite mask and gloves to check their mail.
They’re hoping to see a check, a reply, or any other material sign that their business may soon get back on its feet. Production, like much else, has been shuttered for the past month and a half, creating a desperate situation.
The high-water mark of 2019, a year that boasted a range of splashy, quintessentially New York titles like The Irishman, Joker, Uncut Gems and The Marvelous Mrs.
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