Rebecca Rubin News Editor, OnlineThe future of film in an age of plague may be crystallized this weekend.That’s because after numerous delays and months of anticipation, Christopher Nolan’s “Tenet” — the time-bending sci-fi epic that hopes to revive the beleaguered movie business — is finally hitting U.S.
cinemas.But when it touches down in domestic theaters, “Tenet” will represent much more than the first major release since the pandemic hit (or, with all due respect to “The New Mutants,” the first that audiences are actually eager to see).The next few days could serve as an inflection point in the ongoing conflict between traditional forms of media and digital disruptors.
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