Let’s start with The Beatles. At the end of 1968 the Fab Four released The White Album, which would become tabloid-notorious within a year because some hippie cult leader named Charles Manson sent his followers on a killing spree under the guise of the hidden meanings he’d uncovered in their songs.
What no one really remembers nowadays, though, is that there was already a track on that album aimed squarely at the kind of weirdos who looked for hidden meanings in Beatles songs.
Credited to Lennon-McCartney, the song “Glass Onion” was primarily written by Lennon, as a tease to those looking for profundity in the band’s surreal lyrics.
And as a title and an end-credits theme it fits the first sequel to Rian Johnson’s Knives Out perfectly. After the old-dark-house setting of the 2019 film, where Daniel Craig’s detective Benoit Blanc snooped in the shadows trying to smoke out the killer of elderly Boston crime novelist Harlan Thrombey, this time events take place in broad daylight, in the sunny Greek holiday home of tech billionaire Miles Bron (Edward Norton), who has summoned some people he thinks are his closest friends for a murder-mystery weekend.
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