Michelle Williams Sam Mendes Viola Davis John Williams Steven Spielberg Roger Deakins Seth Rogen Steve Macqueen Paul Dano Adam Mackay Brent Lang Judd Hirsch state Arizona county Davis film Michelle Williams Sam Mendes Viola Davis John Williams Steven Spielberg Roger Deakins Seth Rogen Steve Macqueen Paul Dano Adam Mackay Brent Lang Judd Hirsch state Arizona county Davis

From Steven Spielberg’s ‘The Fabelmans’ to Viola Davis in ‘The Woman King’: 10 Toronto Movies We’re Dying to See

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Causeway” (A24/Apple Original Films) Though Jennifer Lawrence had a juicy supporting role in Adam McKay’s disaster comedy “Don’t Look Up” last year, we have not seen the former Katniss Everdeen in the driver’s seat of a film since the one-two punch of “Mother!” and “Red Sparrow” (released in 2017 and 2018, respectively).

She returns in earnest at TIFF with “Causeway,” about a soldier with a traumatic brain injury trying to readjust to normal life.  — Matt Donnelly “Empire of Light” (Searchlight Pictures)Sam Mendes crafts an ode to the power of movies with this story of a cinema ticket-taker (Olivia Colman) who finds herself drawn to a new employee (Michael Ward).

Colman, who has won an Oscar and scored two other nominations in the last four years, is always arresting, but word is that Ward, so memorable in Steve McQueen’s “Small Axe: Lover’s Rock,” is a revelation.

Plus, the film is a chance to watch as Mendes and his longtime collaborator Roger Deakins (“Skyfall,” “1917”) spin the kind of unforgettable images that demand to be seen on the widest screen possible. — Brent Lang “The Fabelmans” (Universal Pictures) In this making-of-a-film-director tale, Steven Spielberg goes back to his early days as a movie-obsessed kid in Arizona. “The Fabelmans” is the most personal film yet from the maestro behind “Schindler’s List” and “Jaws,” and it looks to be the hottest ticket at this year’s fest — the first time that Spielberg has premiered one of his films there.

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