‘Dance First’ Review: A Staid, Respectable Samuel Beckett Biopic That Misses Its Subject’s Sense of Mischief

Prince William holds many royal titles but one of them seems to be cursed due to its tragic history and may one day be inherited by his sons Prince George and Prince Louis.

Prince William and Kate Middleton first met when they were both studying at the University of St Andrews and, after starting out as friends, their relationship soon blossomed.

William Earl New Zealand journalist and director David Farrier‘s debut feature documentary, 2016’s “Tickled,” was a look at the underground world of competitive tickling and the bizarre cast of characters behind the subsequent fetish videos. Farrier has followed “Tickled” with “Mister Organ,” a profile of a litigious man living in the shadows. In this case, it’s New Zealand’s Michael Organ, whom Farrier first stumbles upon as an overzealous parking lot attendant at an antiques store, before discovering more strange details about his life.

An urgent appeal has been shared to find a missing man who was last three days ago, as the police search continues.

Guy Lodge Film Critic It’s the quiet that strikes you in “Menus-Plaisirs — Les Troisgros,” a documentary rejoinder to every image of cacophonous haute cuisine environments — complete with clattering pans, hissing steam and chefs screaming invective — that has been fed to us by “Hell’s Kitchen”-style reality shows and the propulsive drama of “The Bear.” Serenity reigns in Frederick Wiseman’s languidly mesmerising 240-minute anatomy of one of the world’s greatest restaurants: The masters and staff of Le Bois Sans Feuilles, a three Michelin-star establishment in France’s Loire region, work with a hushed intensity of concentration that recalls a science lab, or a surgery table, more than any standard kitchen. That suits Wiseman, a patient, rigorous examiner of institutional structure and process, who observes this culinary cathedral as seriously and methodically as he has such comparatively vast cultural hives as London’s National Gallery or the New York Public Library.

Owen Gleiberman Chief Film Critic The sequels — or, in two cases, prequels — to “The Exorcist” have all been unqualified turkeys. There is now a movement at hand to declare that John Boorman’s crackpot insect-swarm fantasia “Exorcist II: The Heretic” (1977) was some sort of misunderstood masterpiece, but that’s an act of revisionism every bit as loony tunes as “Heaven’s Gate” revisionism.

In the long history of horror films since the dawn of cinema, it would be hard to imagine any of them quite having the particular impact of 1973’s The Exorcist which became the first horror film ever to be nominated for the Best Picture Oscar, along with nine other nominations including Best Actress for Ellen Burstyn. It eventually won two Academy Awards for William Peter Blatty’s screenplay based on his 1971 novel, and for the bone chilling Sound work. When I saw it as a young kid in its original incarnation at the National Theatre in Westwood (now no longer existing), there were lines like you have never seen wrapping completely around the block. Warner Bros. even put a nurse on duty in the lobby for those who passed out, no mere gimmick because it actually happened. Nothing I have seen since in the genre has matched that one for me, but it wasn’t for Hollywood not trying. There are countless imitations, even a couple of failed direct sequels including the dreadful 1977 followup, Exorcist II: The Heretic, and the forgettable Exorcist III: Legion in 1990. There have been TV series attempts, an origin angle with Exorcist: The Beginning in 2004, and countless others using the come-on Exorcist in their title. Earlier this year we even had another film, based on the Vatican’s longtime real life demon slayer, The Pope’s Exorcist which thanks to a dedicated performance by Russell Crowe worked quite well on its own terms

The late Princess Diana was famous for being a chief prankster in the royal family and would often do cheeky things or buy naughty gifts for her two young sons.

Week two of Dancing With the Stars has come to a close and the scores have been revealed!

Jazz Tangcay Artisans Editor Last month, around 50 Marvel visual effects workers — many of whom create the magic behind the studio’s biggest films and TV shows — voted to unionize. That vote marked the first time any VFX workers have unionized with the crafts union, hoping to gain fair pay, healthcare and a safer and more sustainable working environment . On Tuesday, Disney VFX workers joined Marvel and voted in favor of unionization.

Kate Middleton, the Princess of Wales, is known for never putting a foot wrong when it comes to her fashion choices, and of late, Kate has been rocking a number of stylish suits.The 41 year old future Queen of England, the wife of Prince William, has been spotted on a number of official royal duties recently wearing the fashion-forward two-pieces, and OK!'s fashion editor Lauren Goodwin-Grafton believes that these outfits are a 'symbol of power' as Kate prepares to one day become Queen. Lauren said: "As a new era of her senior career begins in the Royal family, we’ve seen The Princess of Wales switch up her previously ‘laid back’ style to a more ‘business’ like approach.

Anything trendy is bound to come back in style if you wait long enough and, for baby names, that apparently take a century.

Aston Merrygold has paid a poignant tribute to a former JLS backup dancer, dubbing him as an 'original JLS team member'.

Guy Lodge Film Critic “Long-awaited” isn’t quite the term for Victor Erice’s “Close Your Eyes,” a film that dedicated admirers of the Spanish master may have hoped for, but didn’t dare expect. Instead, Erice’s first feature in 31 years — and only his fourth overall — arrives as something between a desert oasis and a mirage: a shimmery, nourishing culmination of ideas and ellipses in a career so elusive as to have taken on a mythic quality, to the point that his latest feels almost dreamed into being.

The judge for the first Motherwell Photographic Society digital image competition of the season was Jim Stevenson from Kilmaurs Photographic Club in Ayrshire.

Some actors arrive in a TV show and never seem to leave. Actors like EastEnders' Adam Woodyatt (Ian Beale), plus Coronation Street's William Roache (Ken Barlow) and Neighbours' Stefan Dennis (Paul Robinson). Others come and go but definitely make their mark, such as Casualty's Jonathan Kerrigan, who played the BBC medical drama's bleach blond-haired nurse Sam Colloby in the late 1990s.

Chris Willman Senior Music Writer and Chief Music Critic Spectacle is underrated. This is pretty much the antithesis of any accepted, traditional rock ‘n’ roll orthodoxy. It is also the natural human reaction to just about any or all of “U2:UV Live at Sphere Las Vegas,” the greatest-show-on-earth that opened Friday night in an enormous dome just off the Strip.

Kate Middleton and Prince William's love story is one that is very well known and it's not hard to tell they are just as captivated by one another now as they were when they first met all those years ago.

Lizzo has asked a judge to dismiss a harassment lawsuit filed against her by previous employees.Last month the pop star was sued by three former backup dancers for allegedly creating a hostile work environment and engaging in sexual harassment, among other claims. Lizzo has denied the allegations, saying that they are “false” and adding how “disappointing” it is to see her character “criticised”.Now, in court documents filed on Wednesday (September 27) and independently viewed by Variety, Lizzo’s legal team has insisted that the case should be dismissed “in it’s entirety”.However, the singer’s lawyers have accepted the claimants’ request for a jury trial should it proceed to that stage (Lizzo has also previously requested a trial by jury).“Any and all claims to the contrary are ridiculous, and we look forward to proving so in a court of law,” Lizzo’s team wrote in its response.The artist and her Big Grrrl touring company have denied “each and every allegation” made, the documents read.“This is the first step of a legal process in which Lizzo and her team will demonstrate that they have always practiced what they’ve preached,” a spokesperson for Lizzo’s legal team said [via Variety].

Lisa Kennedy In “Silver Dollar Road,” documentarian Raoul Peck foregrounds two resolute women, Mamie Reels Ellison and Kim Renee Duhon — the heir of a deceased landowner and her niece — to tell a story of familial grit, land grabs and the failings, if not the outright biases, of the courts. “Going to the water for me was always magical,” Ellison says early in the film, reminiscing about the pier and beach at one end of the family’s 65 acres in Carteret County, N.C. A montage of home movie footage and photo stills of children splashing, teens striking poses and adults having a fine time captures the warmth of the place.

Huge update in the case of missing mother Suzanne Morphew.