What a weird and strange Best Picture race that has been thrust upon us. The major studios’ selections are slim, every potential winner has major question marks, and by the time nomination voting comes around, enough contenders may have fallen off that unexpected titles from earlier in the year rise to make the field of 10.
If there is one thing we know for sure, it’s that Sean Baker’s “Anora,” Jacques Audiard’s “Emilia Perez,” and Brady Corbet’s “The Brutalist” are your safest nomination bets.
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