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Ancient Indigenous Legend, Myth Inspires Latin America’s Bold New Generation of Creators at Animation! Part of Cannes’ Ventana Sur (EXCLUSIVE)

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John Hopewell Chief International Correspondent Chile’s “The Devil’s Vein” and “Lucila” and Mexico’s “Ch’ulel” figure among a 14-title lineup at Animation!

Pitching Sessions, part of Ventana Sur, the Cannes Festival and Marché du Film’s biggest annual event organized beyond its May event on the Riviera – in this case in Buenos Aires hand in hand with Argentina’s INCAA film agency.

Among bigger names, “The Devil’s Vein” is a 2D family-targeting fantasy adventure, from the director, German Acuña, and producer, Sebastián Ruz, of “Nahuel and the Magic Book,” a 2020 Annecy standout. “Lucila” marks the first animation title of María Elena Wood, the reputed Chilean co-producer of Platino Award winning mini-series “News of a Kidnapping.” Also brought onto the market for the first time at Animation! “Ch’ulel” is the latest from Mexico’s Míguel Angel Uriegas at Fotosíntesis Media (“A Costume for Nicolás”) a pioneer in cause-driven entertainment in Mexico.

Buzz projects at Animation! take in the anticipated “The Devil’s Vein,” as well as Argentina’s “Electro Andes,” an early essay at South American anime; “Astropackers” from Colombia, whose pilot played Cartoon Network, and Brazil’s “Tales of Mungara,” produced by Renata Roberta Azevedo, behind high-profile live action fest plays by Marcelo Gomes and Hilton Lacerda.

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