What ‘Homeland’ Missed, and What It Means Now (Column)

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By Daniel D'Addario Chief TV Critic Back in February, I began a rewatch of “Homeland,” aiming to catch up to the show by its series finale, which is to air on Showtime April 26.

At the time, I airily envisioned taking an afternoon to jot down some loose thoughts that would magically coalesce into the perfect piece, or at least a B-plus example of criticism about a show I hadn’t really thought about since 2014 or so.

In the essay I had in mind — one I only needed to watch 96 episodes to do, but which already fully baked to me — I’d put in the requisite praise for Claire Danes’s layered performance of mania and duty perpetually superseding and supplementing each other (which, I guess, goes here now) and then diagnose how “Homeland’s” 2010s

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