People are always on a journey in the films of Walter Salles. His 1998 breakout film Central Station saw an abandoned nine-year-old go looking for the father he’s never known, while 2004’s The Motorcycle Diaries had a carefree young Che Guevara becoming radicalized while searching for the soul of South America.
More literally, there’s On the Road (2012), his adaptation of the 1957 novel in which beat writer Jack Kerouac tapped into the exploits of his rather more adventurous friends to send himself on a freewheeling trip through postwar USA.
His new film, I’m Still Here, however, has more in common with 2001’s Behind the Sun, a period piece about two feuding rural Brazilian families at the turn of the 20th century.
In both of these films, the trek is more of a moral crusade than a matter of geography, as their protagonists try to confront entrenched and seemingly endless cycles of violence that show no sign of relenting.
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