Carole Horst Described by some as “Euphoria” meets “Succession,” Mickey Down and Konrad Kay’s “Industry” stakes out territory that is all its own.
Driven by exceptional ensemble performances, Season 3 of the drama set in a London investment bank skewered the global financial system, class and the media, while also tackling racism, misogyny, addiction, sexual assault and harassment.
Quite a tall order that “Industry” handles deftly, with a big dose of dark humor. The exceptional cast includes Myha’la as Harper, who, as a Black American woman from a random U.S.
state university that she never graduated from, has too many strikes against her to count, yet she manages to rise to the top; Ken Leung as Eric, a killer at work but always on the brink of losing control; Sagar Radia, the ambitious South Asian trader who marries into posh English society and has serious addiction issues; and Harry Lawtey, the working class boy from Oxbridge whose naivete about the so-called meritocracy constantly trips him up.
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