Chris Willman Senior Music Writer and Chief Music Critic How much is Paul Westerberg like Bob Dylan? That’s a provocative question — maybe one we need to save for when we know each other better.
So let’s just start a related, but easier, one. How much is the Replacements’ “Tim: Let It Bleed Edition,” a just-released boxed set that commemorates that band’s classic 1985 album “Tim,” akin to another boxed set that came out earlier this year — Dylan’s “Fragments: Time Out Of Mind Sessions 1996-1997,” an expansion of his classic 1997 album “Time Out of Mind”?
That’s an easier conversational icebreaker. Beyond the fact that the two original releases might be right next to each other in your collection, if you happen to be insane enough to alphabetize albums by title instead of artist, there’s the fact — well, strongly held belief bordering on fact — that both “Tim” and “Time” are rock masterpieces that share a common fundamental flaw: problematic mixes.
Mixes that have been mutually, coincidentally corrected with spectacular 2023 do-overs. Yes, there are diehards who continue to contend that producer Daniel Lanois’ swampiness on the original Dylan album did not need to be de-murked.
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