‘The Harbinger’ Review: A Devilish Pandemic Quandary

variety.com:

Dennis Harvey Film CriticThe isolation and helplessness some people felt during the prime days of COVID lockdown is utilized to good effect in “The Harbinger.” Andy Mitton’s second solo feature (following two co-directed with Jesse Holland) is a spooky tale in which vulnerable individuals find themselves prey to a malevolent spirit that worms into their dreams, dislodging them from grounding reality.More eerie than terrifying, with strong performances and atmosphere pushing past some fuzzy plot aspects, this Fantasia premiere should please more discerning genre fans in XYZ Films’ release to limited theaters and VOD on Sept.

1. (It is not to be confused with another U.S. supernatural drama starring Irene Bedard that boasts the same title, which debuted at Dances With Films in June and opens Sept.

2.)Disturbing, recurrent cries from the NYC apartment of Mavis (Ellen Davis) have gotten complaints from neighbors, particularly a next-door “Karen” and belligerent anti-masker (Stephanie Roth Haberle).

When her more-sympathetic building superintendent (Cody Braverman) lets himself in to investigate, he finds the tenant in a state of whimpering hysteria and self-harm — yet asleep.