Owen Gleiberman Chief Film Critic “Thanksgiving,” a cheerfully debased — or maybe I should say de-basted — slasher film directed by Eli Roth, marks the second time that one of the luscious mock trailers from Quentin Tarantino and Robert Rodriguez’s “Grindhouse” has been spun into a feature film.
The first such movie, Rodriguez’s “Machete,” worked better than anyone might have expected; it gave Danny Trejo perhaps the best lead role of his career, and it was tasty enough in its high-zooming vengeful action hyperbole to spawn a sequel.
Roth’s trailer for “Thanksgiving,” on the other hand, was a bloody perfect, outrageously transgressive parody of the holiday horror genre that had long gone out of style.
The best thing about it may have been the narrator, with his ultra-low voice of deadpan drive-in psychosis (“White meat, dark meat.
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