Everything Everything: Last News

Everything Everything have announced a 2025 UK and Ireland tour celebrating the 10th anniversary of their third album ‘Get To Heaven’. Find all the details below.The Manchester band will hit the road later this year to mark a decade of their critically-acclaimed 2015 record – which peaked at Number Seven in the UK, and features the singles ‘Distant Past’ and ‘Regret’.Kicking off at the legendary Barrowland Ballroom in Glasgow on November 27, the special run of dates also includes stops in Leeds, Manchester, Nottingham, Newcastle, Bristol, Birmingham and Dublin.The group are set to perform ‘Get To Heaven’ in its entirety “for the first time ever” at the forthcoming shows.

Bloc Party have confirmed a host of support acts for their ‘On The Beach’ show in Brighton this summer. Check out the full line-up below.The London band announced last October that they’d be performing their 2005 debut album ‘Silent Alarm’ in full at the event to celebrate its 20th anniversary.

Everything Everything have announced details of a new UK tour, set to kick off later this year. Find ticket details and a list of new tour dates below.Announced today (August 30), the new dates come on the heels of the band getting 2024 off to a huge start.

Everything Everything have shared the video for their new single ‘Enter the Mirror’, on the day of the release of their new album ‘Mountainhead’. Watch it first on NME below, along with our interview with frontman Jonathan Higgs.The Manchester art-rockers have previously shared the singles ‘Cold Reactor’, ‘The Mad Stone’ and ‘The End of the Contender’, and now, with their seventh album out and a UK headline tour starting next month, they have spoken to NME about the concept behind ‘Mountainhead’.The album takes place in a world where humanity has come together to build a mountain by digging a pit at its foot, with the workforce – or ‘mountainheads’ – driven by a desire to one day reach the top of the mountain and gaze into the mythical mirror that sits at its peak.

Everything Everything have shared their apocalyptic new track ‘The Mad Stone’ from their upcoming seventh album.‘The Mad Stone’ is the second single to be released from the band’s album ‘Mountainhead‘. It follows the lead single ‘Cold Reactor‘.

Everything Everything’s Jonathan Higgs has spoken to NME about the fantastical concept behind the band’s upcoming new album ‘Mountainhead’, which serves as a metaphor for “late-stage capitalism”.The record, set for release on March 1, 2024, takes place in a world where society has created a huge mountain by digging a pit at its foot, and aspires to climb to the mythical mirror at its peak. All the while trying to escape a gigantic golden snake called Creddahornis who lives at the bottom of the pit.“A ‘Mountainhead’ is one who believes the mountain must grow no matter the cost, and no matter how terrible it is to dwell in the great pit,” Higgs explained.

Everything Everything have announced a new album, ‘Mountainheaid’, and shared details of an upcoming UK tour. Find ticket details below.The Manchester art rock band announced news of the forthcoming album – which will be their seventh studio LP – earlier today (October 26).Sharing an update on their Instagram page, the four-piece confirmed news of the record and tour with two images, one of the album cover and one of the upcoming live shows.

Everything Everything have shared their latest single ‘Pizza Boy’ – you can watch the song’s accompanying music video below.The track is the final preview of the band’s forthcoming new album ‘Raw Data Feel’, which is set for release on May 20 via EE’s own imprint Infinity Industries / AWAL.Speaking about the meaning behind ‘Pizza Boy’, Everything Everything said in a statement: “The song is about recovering from trauma, by focussing on both hedonism and solitude.”The band have also shared a video for ‘Pizza Boy’, which features the four-piece performing the track live during their recent UK and Ireland tour. You can check out the clip below.‘Pizza Boy’ follows on from Everything Everything’s recent singles ‘I Want A Love Like This’, ‘Bad Friday’ and ‘Teletype’.Those songs will all feature on ‘Raw Data Feel’, which was sparked by frontman Jonathan Higgs feeding select information – including the entire terms and conditions of LinkedIn, the ancient epic poem Beowulf, 400,000 4Chan forum posts and the teachings of Confucius – into an A.I.

Everything Everything have shared their new disco pop single ‘I Want A Love Like This’ – you can view the video for the track below.It follows previous singles ‘Teletype’ and ‘Bad Friday’ from their forthcoming new album ‘Raw Data Feel’, which will be released on May 20. You can pre-order the record here.Speaking about their new single, the band said: “This song started as a challenge Alex set Jon to demo a ‘4-chord banger’ that he could put through a particular rhythmic processor on his home-made modular synthesiser.

Everything Everything have today (March 10) shared an experimental new song – you can listen to ‘Teletype’ below.The single is taken from upcoming new album, ‘Raw Data Feel’, which will be released on May 20. You can pre-order the album here.Explaining the meaning behind ‘Teletype’ and its visuals, which were created by frontman Jonathan Higgs, the band said: “This song began in a very experimental way, with Alex and Jon sampling voice and guitar then putting it through a process that randomised each chord in a chaotic and glitchy rhythm.“A very direct song, straight from the heart, with a fresh new openness that we felt was a good scene-setting for the record.”“The video consists of human faces that were completely generated by AI, singing the song.

Everything Everything have released the lead single from their upcoming new album today (February 7) – listen to ‘Bad Friday’ below.The single is taken from new album ‘Raw Data Feel’, which will be released on May 20. You can pre-order the album here.Explaining the meaning behind the new single and its accompanying video, frontman Jonathan Higgs said: “This song is about being a victim of violence, explaining it away through the gauze of a ‘crazy night out’.“We wanted the video to have a monochrome Ink Spots classicism to it, disrupted by elements of A.I.-generated imagery.