Shaka King’s “Judas and the Black Messiah” has arrived at something of a cultural tipping point for Hollywood. Months before the tragedy of George Floyd‘s death or the millions of people marching in the streets for social justice, his period piece about the assassination of a prominent Chicago community leader, Fred Hampton, had wrapped production.
So, had Aaron Sorkin’s “The Trial of the Chicago 7,” Regina King’s “One Night in Miami” and Lee Daniels’ “The United States vs.
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