Scarlett Johansson Reveals Joaquin Phoenix Had To Flee The ‘Her’ Set Because Of Her Fake Orgasm Recordings: ‘He Was Losing It’

FERNE McCann has revealed that taking part in Celebrity SAS: Who Dares Winds was "worse" than it appeared on TV at home. The mother-of-one took to her Instagram stories for a candid Q&A about her experience on the Channel 4 show. Ferne, 32, who completed the gruelling TV challenge and made it through to the final, opened up about her experience on Instagram.

Kind-hearted supermarket staff were in good voice recently to help a worthy cause.

By Activism often means going big—organizing a march for justice or starting a social media campaign—but for Maisie Brown, activism starts locally. In response to the ongoing Mississippi water crisis, the 21-year-old sophomore and political science major at Jackson State University—one of the largest HBCUs—is leading the effort to deliver drinking water to residents who can’t make it to the city’s distribution centers.The grassroots activist is dedicated to community-driven social change focusing on local issues requiring a local solution.

Fleur East has revealed the chaotic week she and her co stars on Strictly Come Dancing had dealt with ahead of the latest live episode of the show.

The Battles have begun on The Voice season 22 and each coach will be joined by a celebrity guest advisor to assist their team!

The Rock is getting his country on.

Scarlett Johansson has revealed that she freaked out Joaquin Phoenix while recording a phone sex scene for the film Her.The actress, who played the voice role of an AI assistant called Samantha in the 2013 film, explained in a new interview that she had to record her scene in a studio with Phoenix after the latter had already filmed his camera scenes.“You definitely don’t want to hear what you sound like having a fake orgasm,” she recalled on the Armchair Expert podcast with Dax Shepard and Monica Padman.“I remember we came in that day. I’ve become that actor that’s like ‘let’s get dirty.’ I have to, because otherwise I’ll be petrified.

Scarlett Johansson got candid about her awkward and "bizarre" sex scene with Joaquin Phoenix.  In the 2013 film "Her," the actress opened up about how gross it was listening to her fake an orgasm on set.  Johansson revealed Phoenix had a difficult time recording audio for their sex scenes in Spike Jonze’s movie. The Academy Award nominee pointed out, "You definitely don't want to hear what you sound like having a fake orgasm."  "I remember we came in that day," the "Black Widow" star began to explain in Dax Shepard’s "Armchair Expert" podcast.

Guy Lodge Film Critic The possessive claim in the title “Guillermo del Toro’s Pinocchio” is a gutsy one. There’s confidence — some would even say arrogance — in filming an oft-told story at least as old as the hills, and suddenly branding it as your own: Even two auteurs as ballsy as Francis Ford Coppola and Baz Luhrmann didn’t slap their own names on “Bram Stoker’s Dracula” and “William Shakespeare’s Romeo + Juliet,” respectively. Still, you can hardly blame del Toro’s stop-motion spin on Carlo Collodi’s 19th-century chestnut “The Adventures of Pinocchio” for wanting to advertise its distinguishing vision up top: After umpteen tellings of the wooden-boy tale, and coming on the heels of Robert Zemeckis’ wretched Disney remake, Netflix’s rival adaptation has to announce itself as something different. That it is; it’s often delightful too.

An uncomfortable moment. Scarlett Johansson recalled her costar Joaquin Phoenix’s reaction to her “bizarre” orgasm scene in their 2013 film Her.

skeeved out by Scarlett Johansson having to record fake orgasms for the 2013 film “Her” that he would have to leave the set at times, she told the “Armchair Expert” podcast.“We tried to get through one take, and he was, like, losing it,” Johansson, 37, said of the film revolving around a man falling in love with a virtual assistant. “He left the studio.

Irvine Vics boss Dougie MacDuff has launched a stinging attack on football chiefs after the club lost an appeal against their expulsion from the Scottish Junior Cup.

With an acting career that goes back nearly twenty years, Scarlett Johansson is no stranger to being typecast. But EW reports that, when the actress sat down to talk with Dax Shepard and Monica Padman on their “Armchair Expert” podcast, Johansson opened up about how taking on more mature roles earlier in her career led her to be “hyper-sexualized” for most of her career.

Nolan Neal sadly passed away over the summer and now a cause of death has been confirmed.

Nolan Neal’s cause of death has been revealed. The “America’s Got Talent” and Voice alum died in July of “acute combined drug toxicity,” after he ingested morphine, methamphetamine, fentanyl and acetyl fentanyl, a spokesperson at the Davidson County Medical Examiner’s told Page Six on Thursday.

Zack Sharf Scarlett Johansson revealed on Dax Shepard’s “Armchair Expert” podcast (via IndieWire) that her orgasm recordings for the movie “Her” resulted in Joaquin Phoenix fleeing the set. Phoenix starred in the Spike Jonze-directed drama as a man who falls in love with his phone’s operating system, a Siri-like female voice named Samantha, played by Johansson. The two have a sexual relationship in the form of phone sex, which required Johansson to record herself fake orgasming. “We tried to get through one take, and he was, like, losing it,” Johansson said. “He left the studio. He needed a break.” Johansson added, “You don’t want to hear your voice ever. You definitely don’t want to hear what you sound like having an orgasm. You definitely don’t want to hear what you sound like having a fake orgasm — ew. It’s so gross. It was so bizarre.”

The English,” starring Emily Blunt and Chaske Spencer. All six episodes of the limited series will premiere on November 11 exclusively in the U.S., Canada, Australia, New Zealand, and the Nordics on Prime Video, following its November 10 UK premiere on BBC Two and BBC iPlayer. The series is created by Hugo Blick, who also serves as an executive producer, director and writer. The series follows aristocratic Englishwoman Lady Cornelia Locke, played by Blunt, and a Pawnee ex-cavalry scout named Eli Whipp, played by Spencer. They come together in 1890 middle America to cross a violent landscape built on dreams and blood.

and alum died in July of «acute combined drug toxicity,» after he ingested morphine, methamphetamine, fentanyl and acetyl fentanyl, a spokesperson at the Davidson County Medical Examiner's told on Thursday. The outlet additionally reported that Neal's manner of death was ruled an accident by the coroner.On July 19,  first reported that Neal was found dead in his apartment in Nashville, Tennessee, by his roommate. He was 41.At the time, the Metropolitan Nashville Police Department told  that Neal was found dead at 8 p.m.

Mindy Kaling Michael R. Jackson is, in a word, dazzling. His Broadway musical, “A Strange Loop,” is a breakthrough masterpiece whose plot I won’t describe here because it’s so inventive that my summary wouldn’t do it justice. But what I can say is that it’s a musical about a writer … well, trying to write. The star of “A Strange Loop” is Usher, a “young overweight-to-obese homosexual and/ or gay and/or queer, cisgender male writer,” as he says in his opening song, working to find his way in the world, deciphering the many destructive (and often extremely funny) voices in his head. Watching Michael’s Pulitzer- and Tony Award-winning musical, I felt like someone had shone a light on the creative process of writing in a way it had never been examined before. For years, many neurotic writers have been able to see themselves in the protagonists of Woody Allen movies or Charlie Kaufman’s “Adaptation” or, hell, even “The Shining.” I never completely got it. But I actually identify with Usher, a funny, tortured, pop-culture-fluent brown man trying to impress his parents, discover his voice, vanquish his shame and have sex occasionally. Michael managed to capture all the moments of artistic self-doubt and relentless self-examination and somehow make it joyful, funny and relatable.