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‘Problemista’ Review: A Terrorizing Tilda Swinton Overshadows All Else in Julio Torres’ Messy Debut

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variety.com

Peter Debruge Chief Film Critic Some folks have it easy, and others make life difficult for themselves. Guess which type “Problemista” is about.

The perpetually unsatisfied title character, a demanding New York art critic played by Tilda Swinton as a hag with hair the color of hibiscus tea, is obsessed with archiving the life’s work of her late husband (RZA), who left behind a series of egg paintings no one seems to understand.

Swinton feels like a future Halloween costume in search of a movie in writer-director Julio Torres’ overly kooky and all-too-quixotic debut — another attention-deficit comedy from the studio that made “Everything Everywhere All at Once,” except that Torres lacks the technical experience to pull off even a fraction of the ideas to which he aspires.

That’s a waste of such an up-for-anything talent as Swinton, who’s presented here as the human equivalent of a fire-breathing dragon.

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