Guy Lodge Film Critic Even before last year’s Supreme Court overturning of Roe v. Wade, a recent international surge in films about abortion rights and the endangerment thereof — from period pieces like “Happening” to present-day portraits like “Never Rarely Sometimes Always” — almost seemed to anticipate such a devastating blow.
In America in particular, where talk of abortion access has always been snarled up in extreme religious rhetoric and eternal red-blue division, it has never been a subject to be treated complacently.
Urgent and unvarnished, Tracy Droz Tragos’ documentary “Plan C” is an early entry in what might be considered post-Roe cinema, focusing less on pro-choice ideology than on the practicalities of ensuring choice in a system increasingly stacked against the idea.
Having premiered at Sundance last month — with SXSW next on its festival tour — “Plan C” arrives seven years after Tragos’ Emmy-nominated documentary “Abortion: Stories Women Tell,” which centered the individual narratives of women choosing to undergo abortion for a range of reasons.
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