Alex Ritman Pinocchio is entering the Poohniverse. The frequently adapted children’s story is set to become the latest standalone film introduced into the extremely bloody and gory world of “Winnie-the-Pooh: Blood and Honey,” the IP-bludgeoning microbudget slasher that that sparked headlines for turning A.
A. Milne’s jovial bear into a feral serial killer (and made $5.2 million at the box office after costing under $50,000 to make).
Variety has the details of the Pinocchio project, which is selling in Cannes via Premiere Entertainment. Like “Blood and Honey,” Rhys Frake-Waterfield will direct the film, which which have little reliance on VFX and feature the character of Pinocchio as a practical doll (casting for Geppetto will soon be announced).
Todd Masters at MastersFx (creator of Chucky in the 2019 “Child’s Play”) will be taking the lead in all animatronics and puppetry, while the Prosthetics Studio (whose credits include films in the “Harry Potter” and “Star Wars” franchises), will be handling much of the practical gore.
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