Tony Gilroy: Last News

‘The Rogue Ones: A Star Wars Andor Podcast’ returns with hosts Mike DeAngelo and The Playlist’s Editor-In-Chief, Rodrigo Perez. As with the previous episodes, each week, our hosts will recap and review the latest “Andor” episode and welcome cast members and creatives from the show to discuss all things “Andor” and all the intrigue and machination of the “Star Wars” galaxy.

Tony Gilroy enjoys the Hollywood spotlight on him as the showrunner of “Andor,” its first season presently airing on Disney+. And that’s how some moviegoers may know him best, as the man behind the “Star Wars” series and the script/reshoots of 2016’s “Rogue One,” which first introduced Cassian Andor’s character.

‘The Rogue Ones: A Star Wars Andor Podcast’ returns with hosts Mike DeAngelo and The Playlist’s Editor-In-Chief, Rodrigo Perez. As with the previous episodes, each week, our hosts will recap and review the latest “Andor” episode and welcome cast members and creatives from the show to discuss all things “Andor” and all the intrigue and machination of the “Star Wars” galaxy.

Karen M. Peterson Production designer Luke Hull crafted a working city for “Andor,” the “Star Wars” series streaming Wednesdays on Disney+. The show, a prequel to the 2016 film “Rogue One: A Star Wars Story,” follows eventual rebel hero Cassian Andor (Diego Luna) and introduces audiences to new locations and planets. The most ambitious of these is Ferrix, a salvaging outpost on the edge of the galaxy that keeps itself free from the Empire’s interference. The planet Cassian calls home is an arid one, which presented Hull and showrunner Tony Gilroy with the challenge of designing an environment that felt different from Tatooine or Jakku, places “Star Wars” fans know well. Hull, who won an Emmy for his work on the limited series “Chernobyl,” says, “We didn’t want it to fall into the trap of being a town in a desert, or I was quite keen for it not to be a frontier town. Tony was keen that it had a very strong cultural heart. Like you really understood that the people came together, looked after each other there, they weren’t just part of the environment.”

It’s a more intricate and complex Star Wars than you’ve ever seen.

Jon Burlingame editor Writing new music for the “Star Wars” universe would be daunting for any composer, considering its iconic scores by the legendary John Williams. Luckily for “Andor” composer Nicholas Britell, writer-producer Tony Gilroy and Lucasfilm president Kathleen Kennedy gave him “total freedom” to imagine a new, totally unique soundscape for the backstory of Cassian Andor (Diego Luna), the rebel spy first encountered in the 2016 film “Rogue One.” So, unlike “Obi-Wan Kenobi,” the “Star Wars” series for which Williams wrote a new theme earlier this year, there isn’t a note of Williams music in “Andor,” which launched a 12-episode run last Wednesday on Disney+.

Luthen Rael, played by Stellan Skarsgård, has a terrific opening line in the third episode of the “Star Wars” spin-off prequel series “Andor.” “Cassian Andor,” he says with a dramatic pause, “the Empire is choking us so slowly, we’re starting not to notice. What I’m asking is this, wouldn’t you rather give it all to something real?” Rael’s talking about two things.

and, the universe continues to expand on TV with another new spinoff,. The latest Disney+ series created by Tony Gilroy and starring Diego Luna goes back in time before the film , to explore the political intrigue surrounding the dawn of the rebellion as everyday people push back on life under the Empire. For Gilroy, who co-wrote, the two-season series presented an opportunity to “go back and figure out how this person [Cassian Andor] ended up in, being the person that he is and doing what he does and giving his life for the galaxy,” he tells ET. Set five years before the events of the movie, which saw Luna’s titular character, Cassian Andor, sacrificing his life in order to execute the Rebel Alliance’s first effective blow against the Empire, an incident first referenced in the opening of, Andor’s ending may already be known but it’s the journey there that remains unknown.

SYFY noted the historic mention of sex, which happens in the first 10 minutes of the show, “makes the show an absolute game-changer for the nearly 50-year-old franchise.”Creator Tony Gilroy told Rolling Stone magazine that the very first scene of the first episode opens with a trip to a brothel, which leaves viewers in no doubt about the show’s tone.“It sure is a good tell when you turn in that first episode for them to say, ‘Whoa! OK, this is what the show’s gonna be like,’”“It was a marker, but it’s also good for the story. It served double duty.”The series marks a transition for the sex-less franchise, which has always been geared to more family-friendly content.

Disney has a new television series for the "Star Wars" universe that is already getting thumbs up from fans and critics alike.  On Wednesday, the company released "Andor," a prequel show to the commercially successful 2016 film "Rogue One: A Star Wars Story," on the Disney+ streaming service.The story focus on the journey of Cassian Andor, portrayed by Diego Luna, who also executive produces the series.  Set five years before the events of "Rogue One," the show focuses on the transition of Cassian from petty thief to the rebel hero we see in the film.The actor believes the show will provide fans with an "intimate" perspective of what life was like under the rule of the Galactic Empire.  "There has to be action and adventure and that like big scope of science fiction that you expect from 'Star Wars,' but at the same time, we can allow ourselves to be different," Luna said in an interview with Reuters. Diego Luna reprised his role as Cassian Andor for the prequel series released Wednesday on Disney+.  (Getty Images for Disney)  "What was the life like for people to be willing to sacrifice everything for a cause, you know? I don't think we've seen that," He told the news service.  Luna noted, "I don't think we've been in the most intimate life of the people that were having to live under the control of the Empire.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Yet another “Star Wars” series arrives on Disney+ today, this time a “prequel of a prequel” that centers around Diego Luna’s Cassian Andor following his home planet’s destruction and the rise of the Rebel Alliance. “Andor,” whose first three episodes premiered on the streamer on Sept. 21, stars Luna as the eponymous Rebel leader. It’s mostly set five years before the events of “Rogue One” with the exception of some flashback scenes tracing Andor’s childhood. Written by “Rogue One” co-writer Tony Gilroy, the series serves as an enthralling set-up to the dramatic mission that takes place in the 2016 film, which sees Cassian’s “Star Wars” legacy solidified when he successfully steals the Death Star plans.

“You just walk in like you belong,” Diego Luna’s Cassian Andor impatiently explains in the impelling Rogue One: A Star Wars Story prequel series Andor that debuts Wednesday on Disney+ with three episodes and rolls out once a week thereafter.

Caroline Framke Chief TV Critic “Andor” is, both by design and circumstance, immediately different from its “Star Wars” television predecessors. Where “The Mandalorian,” “Boba Fett,” and “Obi-Wan Kenobi” wove their biggest reveals into the larger fabric of the Lucasfilm universe, “Andor” doesn’t rush toward those moments that might make fans gasp out of pure recognition. Instead, it does something more surprising still: it tells the story of people who have nothing to do with Solos, Skywalkers or Palpatines, but whose lives matter nonetheless. Of course, at least part of the reason the series can take its time this way is because haunted hustler Cassian Andor (Diego Luna, also an executive producer) isn’t a brand-new character at all. As the reluctant hero of 2016’s “Rogue One,” which portrayed the rebel pilot mission to steal the Death Star plans which drive “A New Hope,” Cassian’s “Star Wars” legacy is already written. We already know Cassian’s life will eventually intersect with someone like rebel leader Mon Mothma (Genevieve O’Reilly, returning for more in-depth work in “Andor”). We already know his fate — dramatic and hopeful and unforgettable in those final minutes of “Rogue One” — and that it’s well and truly sealed.  

Michaela Zee editor Diego Luna never expected Cassian Andor to return to “Star Wars” following the Rebel spy’s heroic sacrifice in 2016’s “Rogue One: A Star Wars Story.” “I was shocked,” Luna told Variety at the “Andor” premiere in Los Angeles on Thursday. However, the titular star was ecstatic about the concept, saying that the show is “a beautiful journey, and an inspiring one.” “I think ‘Rogue One’ is a film about an event, but you don’t get to know much about these characters,” Luna said. “This long format [is] a great way to go deep into who they are and why they make the choices they make.” 

Star Wars series Andor has received positive first reactions after the first four episodes were released to critics.The Disney+ series is a prequel series set five years before events in 2016 film Rogue One. Diego Luna reprises his role as revolutionary Cassian Andor during the formative years of the Rebel Alliance, as they mount in opposition to the Galactic Empire.The series is created by Rogue One co-writer Tony Gilroy, and stars Genevieve O’Reilly as senator Mon Mothma, Stellan Skarsgard as Luthen and Forest Whitattaker as Saw Gerrera.

Clayton Davis Jennifer Fox, the Oscar nominated producer of “Michael Clayton” (2007), has been tapped to produce the 13th Governors Awards for the Academy of Motion Picture Arts and Sciences. Marking her fourth time producing the event, Fox will assemble the annual ceremony where Euzhan Palcy, Diane Warren and Peter Weir will receive Honorary Oscars and Michael J. Fox will accept the Jean Hersholt Humanitarian Award. “We’re thrilled to have Jennifer back at the helm to help us kick off Oscar season with a tribute fitting to these four extraordinary individuals,” says Janet Yang, Academy President. “Her contribution in past years has only elevated this truly special and joyous event.”

Oscar-nominated producer Jennifer Fox will return for a fourth time to produce the Academy of Motion Picture Arts and Sciences’ Governors Awards. After pandemic cancellations and date changes over the past couple of years, the 13th edition will return to is usual November berth on Saturday, November 19, a key kickoff to Oscar season.

Diego Luna joins co-star Genevieve O’Reilly at a special screening of Rogue One: A Star Wars Story held at The Ham Yard Hotel on Wednesday night (August 24) in London, England.

It only takes watching the first teaser for “Andor” to know that the latest “Star Wars” series is very, very different than the other Disney+ releases from the galaxy far, far away. It appears the series is aimed at a much older, more mature audience than shows like “The Mandalorian” and “The Book of Boba Fett.” And the best way to explain the stark contrast between “Andor” and everything “Star Wars”-related that preceded it is to note that Tony Gilroy is the mastermind behind the scenes.  And in a new interview with Variety, Tony Gilroy explained the initial idea for “Andor” that he was shown by Disney and why that idea wasn’t going to work for him, which led the filmmaker to pitch a much more “radical” idea to the Lucasfilm executives.  READ MORE: Tony Gilroy Says The Final 3 Episodes Of ‘Andor’ Season 2 Take Place 5 Days Before ‘Rogue One’ Starts “It was in the vein of Cassian and K-2 are like Butch and Sundance, and they’re gonna storm the Citadel,” Gilroy said about the original pitch.

Tony Gilroy didn’t want to make a prequel to “Rogue One.” The 2016 “Star Wars” feature, which Gilroy co-wrote, is itself a prequel, detailing how a ragged crew of rebels, led by spy Cassian Andor (Diego Luna), steal the plans to the Death Star. They succeed, but (spoiler alert!) they all sacrifice their lives doing so — an uncharacteristically dour ending for a “Star Wars” endeavor. The production was also infamously troubled, with Gilroy, who wrote four “Bourne” movies and directed “Michael Clayton,” stepping in to helm extensive reshoots in place of director Gareth Edwards. When the result was a massive hit, grossing just over $1 billion worldwide, Lucasfilm president Kathleen Kennedy was eager do more “Star Wars” movies with Gilroy.

Diego Luna is back on “Star Wars.” The Mexican actor starred in “Rogue One: A Star Wars Story” in 2016, and is back to reprise his role in “Andor,” a prequel series that show’s his character’s initial involvement with the Rebellion. In an interview, he discusses his upcoming work and why fear is an important motivator in life.Diego Luna returns to the Star Wars universe for Disney+’s ‘Andor’Gael García Bernal and Diego Luna reunite in a boxing seriesLuna is booked and busy. Aside from the taxing work of being involved in “Star Wars,” Luna is also doing voice work in the series “DC League of Super Pets” and the upcoming TV show “La Maquina,” which reunites him with his old friend Gael Garcia Bernal.