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John Hopewell Chief International Correspondent Spain’s Latido Films has clinched world sales rights to “Sacamantecas,” the third feature by writer-director David Pérez Sañudo, whose Latido-repped debut feature, “Ane,” swept three Spanish Academy Goya Awards in 2021. Latido is already handling Pérez Sañudo’s second feature, “Los últimos románticos,” which it announced at the Berlin Film Festival as the first title in a two-picture deal with Sañudo.

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Motherhood, Spain’s Tumultuous History, Destiny, Co-Existence: Issues and Talents in Malaga Goes to Cannes Titles

Holly Jones Spain’s Festival de Málaga, through its industry arm Mafiz (Málaga Festival Industry Zone), heads to the Cannes Marché du Film with five works-in-progress from burgeoning Andalusian talent. “The Malaga Festival wants to support the completion of these works and make their international distribution viable,” commented Malaga head of industry, Annabelle Aramburu. This year, as Cannes more broadly celebrates Spain, the event curates two titles that tackle its tumultuous history and one which takes audiences on an unconventional road trip questioning the biological clock alongside narratives that dissect the minutiae of new forms of co-existing and the baffling concept of destiny.

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La Claqueta Goes ‘Hunting’ With Alberto Marini (EXCLUSIVE)

Emiliano De Pablos Prolific Andalusian production company La Claqueta has tapped award-winning screenwriter-producer Alberto Marini (“La Unidad,” “Apagón”) to direct rural thriller “Últimos días de caza” (“Last Days of Hunting.”) Penned by José Cabeza, co-scribe on 2016’s “7 Years,” Netflix first Spanish original movie, “Last Days of Hunting” has a completed screenplay and has initiated financing. The aim is to close the financing phase during this year and begin shooting second quarter 2024, probably in northern Spain. “Last Days of Hunting” leads a growth-period for Seville-based La Claqueta, which is raising the ante in terms of film production ambitions.

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