Michael Labarca: Last News

John Hopewell Chief International CorrespondentFollowing a vibrant 2022 edition in a three-year cycle dedicated to Latin America and the Caribbean which she oversaw in an interim capacity, Zsuzsi Bánkuti has been appointed the new head of Locarno’s Open Doors. She replaces long-time Open Doors chief Sophie Bourdon, who stepped down earlier this year. The key to this year’s Open Doors was its inspired choice of a focus on smaller territories in Latin America which are often home to first-class directors – one director this year, Dominican Yanillys Pérez scooped a Discovery Award at the Toronto Festival with her doc-feature “Jeffrey,” for example – but, apart from the Dominican Republic and Costa Rica, lack robust state subsidy systems enabling producers to produce movies easily out of their own countries.  The obvious solution is international co-production.

Zsuzsi Bánkuti Appointed Head Of Locarno’s Open Doors

Latest DealsA score or more of new deals announced since Sunday in exclusivity to Variety:*Germany’s Pluto Film has been in negotiations with several theatrical distributors on Locarno Piazza Grande title “Semret,” ahead of its world premiere on Aug. 10.

John Hopewell Chief International CorrespondentInspired by director Marcel Beltrán’s walking on a dry, polluted lake in his hometown, Moa, in Cuba, “Moa” won the biggest prize on offer at this year’s Open Doors, a Locarno Fest co-production and talent hub dedicated, in an inspired choice, to smaller territories in Latin American and countries in the Caribbean. The focus lasts three-years, over 2022-24.The territories boast world class filmmakers with urgent stories to tell.

John Hopewell Chief International CorrespondentCannes Cinéfondation winner Michael Labarca will hit Locarno’s Open Doors next week with his feature debut project, “Kids Swimming in the Lake,” produced by Venezuela’s Todos Los Ríos, France’s Ticket Shoot Films and Chile’s Oro Films.For Venezuelan movie projects, such international co-productions are not only a virtue but a necessity, “due to the crisis of our public funding for production, our limitation of access to the Ibermedia fund and the complex situation of our country,” said “Kids” producer Patricia Ramírez Arévalo at Todos los Rios.Set in contemporary Venezuela, “Kids Swimming in the Lake” deals with emigration, but from the point of view of those left behind. During constant blackouts, 11-year-old Dayana and her little siblings dream of leaving Venezuela and reuniting with their father, who migrated fleeing the crisis.

John Hopewell Chief International CorrespondentHaving focused since 2016 on emerging film talent in lesser-known parts of South and South East Asia, Open Doors, the Locarno Festival’s flagship co-production forum and talent incubator, is turning its focus to Latin America and the Caribbean. Of the 24 directors featured at this year’s edition, 15 identify as female or gender non conforming, led by Ecaudor’s Ana Cristina Barragán whose 2016 debut “Alba” won nods at Rotterdam and  San Sebastián and Yanillys Pérez whose documentary “Jeffrey” scooped a Discovery Awards at the Toronto Festival. Both have new projects at the Open Doors Co-Production Hub, as does Yashira Jordán with “Diamond,” a coming of age tale about a Quechua trap artist last glimpsed at Málaga this year.  Men directors take in Michael Labarca a winner at Cannes’ Cinéfondation film school shorts competition in 2016, and Guatemala’s Mauricio Escobar whose “Los Invisibles” is a social realist tale wrapped around the phenomenon of domestic migration in Guatemala. It is set up at La Danta, whose partners include Cannes 2019 Camera d’Or winner César Díaz (“Our Mothers”).Also selected for Open Doors’ Co-Production Hub, a platform for feature-length projects looking for international collaboration, is Guaraní language “Kokue,” the fiction feature debut of Paraguay’s Miguel Aguëro, based on his memories of growing up in the Paraguayan countryside.