Lydia Tar: Last News

Jazz Tangcay Artisans Editor Hot off of its Venice Film Festival premiere, a concept album for Cate Blanchett’s “Tár” is set to be released on Oct. 21. The film bowed to rave reviews and a six-minute standing ovation. The Focus Features film, releasing Oct. 7, stars Blanchett as the fictional Lydia Tár, a globally renowned, gay and sometimes tyrannical conductor of a German orchestra, who finds herself in the crosshairs of a perilous #MeToo scandal. The film is director Todd Field’s first movie in 16 years, following the critically acclaimed “Little Children” (2006) and his breakout “In the Bedroom” (2001).

Todd Field’s Tár clearly struck a chord with the world premiere audience inside the Venice Film Festival’s Sala Grande tonight. The movie was given a standing ovation of more than six minutes, which was only halted when the film team filtered out.

Owen Gleiberman Chief Film Critic “Tár,” written and directed by Todd Field, tells the story of a world-famous symphony orchestra conductor played by Cate Blanchett, and let me say right up front: It’s the work of a master filmmaker. That’s not a total surprise. Field has made only two previous films, and the first of them, the domestic revenge drama “In the Bedroom” (2001), was languorous and lacerating — a small, compact indie-world explosion. His second feature, “Little Children” (2006), was, in my opinion, a misfire, though his talent was all over it. But “Tár,” the first film he has made in 16 years, takes Todd Field to a new level. The movie is breathtaking — in its drama, its high-crafted innovation, its vision. It’s a ruthless but intimate tale of art, lust, obsession, and power. It’s set in the contemporary classical-music world, and if that sounds a bit high-toned (it is, in a good way), the movie leads us through that world in a manner that’s so rigorously precise and authentic and detailed that it generates the immersion of a thriller. The characters in “Tár” feel as real as life. (They’re acted to richly drawn perfection down to the smallest role.) You believe, at every moment, in the reality you’re seeing, and it’s extraordinary how that raises the stakes.

Who is Lydia Tár? Is she the acclaimed composer-conductor celebrated by The New Yorker in the opening of the movie that shares her fictional namesake as generational? Is she the heavily pruned and curated brand that she herself cultivates, her swishy suit pants as well-measured as her staccato? Or, indeed, is there an all-the-more sinister side: a narcissistic megalomaniac as beholden to her plaudits as she is driven by them?  READ MORE: Venice Film Festival Preview: 16 Must-See Films To Watch The truth, as is so often the case, is nestled in the center of the Venn Diagram, astutely observes director Todd Field in his first film for sixteen years, “Tár.” Though not without its blemishes, here’s a timely — and, indeed, timeless — a piece about the corrupting essence of power, exploitation, and the burdensome nature of the crown, elevated by a hydrogen bomb of a performance from Cate Blanchett, inarguably at her best since 2015’s “Carol.” The aforementioned questions emerge, of course, across the two hours and change of runtime; as far as we’re concerned, the Lydia Tár we’re initially introduced to is a flawless demigod.

Manori Ravindran International Editor “Tár” is going to get people talking, but its star Cate Blanchett has made clear that she’s “not interested in agitprop.” The Oscar winner is in Venice for the world premiere of the Todd Field-directed movie, and was in good spirits as she addressed journalists at a Thursday press conference. The Focus Features pic stars Blanchett as fictional Lydia Tár, a globally renowned, gay and sometimes tyrannical conductor of a German orchestra, who finds herself in the crosshairs of a perilous #MeToo scandal. The film is Field’s first movie in 16 years, following the acclaimed “Little Children” (2006) and his breakout “In the Bedroom” (2001).

Tár, starring Cate Blanchett as a composer, has just been released – check it out below.The film marks the return of director Todd Field, after his last film was 2006’s Little Children, which starred Kate Winslet and Patrick Wilson.“Time is the essential piece of interpretation. You cannot start without me.

The Toronto Film Festival has named Oscar-winning Icelandic composer Hildur Guðnadóttir (Women Talking) and award-winning Welsh Egyptian filmmaker Sally El Hosaini (The Swimmers) as honorees of the 2022 TIFF Tribute Awards, which return to an in-person gala fundraiser for its fourth edition at Fairmont Royal York Hotel on September 11th. The former will receive the TIFF Artisan Award, with the latter claiming the TIFF Emerging Talent Award.

For his first feature film in 15 years and third overall, acclaimed director Todd Field (“In The Bedroom”, “Little Children”) has tapped Cate Blanchett to star in “TÁR”.

Wilson Chapman editorAfter 15 years, Todd Field is finally back. The “In the Bedroom” and “Little Children” director’s third feature, “Tár” has debuted its first trailer.

Nick Vivarelli International CorrespondentAs Venice Film Festival chief Alberto Barbera continues to see films and tinker with his selection before announcing the Lido lineup next week, several high-profile titles have emerged as either locked in or highly likely to be launching from the Lido.As previously anticipated by Variety, U.S. studios and streamers are set to be disembarking at the fest in full force.

EXCLUSIVE: Deadline first reported about Cate Blanchett and director Todd Field’s next picture Tár, and this afternoon we learned that the film will hit cinemas on Oct. 7, 2022, with Nina Hoss, Noémie Merlant, Sophie Kauer, Julian Glover, Mark Strong, Allan Corduner, and Sylvia Flote joining the cast.