It has been noted that new age master of suspense-wannabe M. Night Shyamalan has basically gone downhill since his heady beginnings with the Oscar-nominated classic, The Sixth Sense, then pretty good follow-ups like Signs and Unbreakable. Even detours in split-personality hits like Split, and Glass — the latter successful enough to let Universal trust him with small enough budgets to take a few more swings — or the intriguing Twilight Zone-ish film Old, that unfortunately wore out its welcome after a promising start, bolster that notion.