Kestutis Drazdauskas: Last News

Christopher Vourlias When U.K.-based Camelot Films’ “Prizefighter: The Life of Jem Belcher” was forced to relocate to Lithuania earlier this year, after the film’s Welsh financing fell through, executive producer Kestutis Drazdauskas knew the first challenge facing director Daniel Graham’s period drama would be re-creating 19th century England in 21st century Vilnius.“It was an extensive set construction for us, because locations for us are minimal that could play as that period in England and Wales,” says Drazdauskas, who runs the production company Artbox and is chairman of the board of the Independent Producers Assn. of Lithuania.

Christopher Vourlias To get a sense of the state of cinema in the Baltic countries today, you could look instead to Park City, Utah, where two of the region’s filmmakers — Estonia’s Anna Hints and Lithuania’s Marija Kavtaradze — took home directing prizes at last year’s Sundance Film Festival: Hints for her debut documentary “Smoke Sauna Sisterhood,” Kavtaradze for her sophomore feature “Slow.” Those wins felt somehow emblematic for the tiny Baltic nations, which — with a combined population of roughly six million — have nevertheless shown a knack for punching above their weight. Last year, Estonia, Lithuania and Latvia shared the stage at the European Film Market as joint Countries in Focus, a spotlight that underscored a period of steady — even surprising — growth.