Alba Sotorra: Last News

Anna Marie de la Fuente The Málaga Festival Industry Zone (MAFIZ) wrapped Thursday, March 25 with a slew of awards parceled out to productions from across Spain and Latin America. Several projects by women filmmakers dominated the event, which kicked off on March 21.Spanish documentarian Carla Subirana’s fiction feature debut, “Sica” made off with three private-sector plaudits, including the Aracne post-production cash prize of €20,000 ($22,000) as well as the REC and Abycine awards, comprising participation in their respective industry labs.Backed by Alba Sotorra’s Cinema Productions, Galician firm Miramira, Spanish pubcaster TVE and Catalonia’s TVC, the coming-of-age drama turns on 13-year-old Sica who waits by the Costa da Morte, a Galician fishing shoreline, for the sea to give up the body of her fisherman father who perished at sea. Other Work in Progress (WIP) awards went to documentary “Of Books and Women,” by María Elorza of Spain and “Nothing” (a working title) by Brazil’s Adriana Guimaraes.“Of Books and Women” offers a glimpse of various women and their relationships to books, one keeps a Franciscan library in a junk room, the other nearly breaks her finger on her bookshop shelves.

EXCLUSIVE: Tubi has acquired North American rights to Spanish and English-language thriller Upon Entry from French sales firm Charades and Anonymous Content Independent.

Emiliano De Pablos “A Hunt for Hedgehogs,” the new film by Hungarian director Mihály Schwechtje and “Rock Bottom,” the feature debut of Spaniard María Trénor mark two potential highlights of San Sebastian’s pix-in-post sidebar WIP Europa, that runs Sept 25-27. In 2020, the San Sebastian Film Festival, the highest-profile film event in the Spanish-speaking world, launched two new pix-in-post showcases, WIP Latam and WIP Europa, replacing respectively Films in Progress and Glocal in Progress sidebars.

Spanish Screenings Goes to Cannes,  a selection of five pix in post which underscores the ever broadening compass – in genre, setting, protagonists, production bases and models – of film production in Spain. “Sima’s Song,” for example, is set in 1979 Kabul, “Jumping the Fence” on the Morocco-Spain border in Africa.  Many titles, though still in post production, come laden with prizes as projects, prestige deals or rich talent. “Sima’s Song,” from Afghan director Roya Sadat, whose “A Letter to the President” was shortlisted for an Oscar, won the Taicca Award at Busan’s Asian Project Market and the IFI-Pas Award at Mumbai’s Film Bazaar. Its producer, Alba Sotorra, was nominated for an International Emmy as a director for “The Return: Life After ISIS.”

Spanish Screenings Content at Malaga Festival’s industry zone Mafiz, supported by ICEX Spain’s Trade & Investment entity with the collaboration of Diboos, the Spanish Federation of Animation Producers and the VFX Production Companies Associations.

EXCLUSIVE: Upon Entry, from directors Alejandro Rojas and Juan Sebastián Vásquez, will make its North American debut at SXSW later this week, and we’ve got the trailer to go with it (check it out above). 

Emilio Mayorga Alba Sotorra has teamed with Miramemira’s Andrea Vázquez, Spanish pubcaster TVE and Catalonia’s TVC to co-produce “Sica,” the first fiction feature of documentarist Carla Subirana , a 2012 Málaga Golden Biznaga winner for “Kanimambo” and director of “Nedar.”The film is included in Malaga’s Spanish WIP showcase.The feature focuses on 13-year old Sica who lives on Costa da Morte, a Galician fishing shoreline known for its natural beauty and the danger of its coast. Passionate about the ocean, Sica waits for the waves to bring back the corpse of her father, a fisherman who perished at sea alongside her friend’s Leda.

Jessica Kiang At irregular intervals throughout Alba Sotorra’s stirring, sobering and vitally humane new documentary “The Return: Life after ISIS,” discreet titles appear to define the foreign terms that crop up. The small group of Western women in this Syrian detention camp are from all over — Canada, the U.S., the U.K., the Netherlands, Germany — and speak in differently accented, more or less fluent English.