Alan Moore: Last News

Good Morning America of his unorthodox self-publishing scheme. The aspiring scribe had reportedly spent four days writing and illustrating his magnum opus, entitled “The Adventures of Dillon Helbig’s Crismis,” which tells the fictitious tale of how Helbig travels back in time after the star atop his Christmas tree explodes, the New York Times reported.“I wanted people to read it,” explained the amateur author, who has reportedly been churning out “comic book style” works since he was five.

Clyde assistant manager Alan Moore says the January transfer window is proving difficult for the Bully Wee.

Sleaford Mods are offering £5 gig tickets for fans who may be struggling financially.In a new post on social media, the group’s Jason Williamson said: “We’ve set aside some £5 tickets for the UK tour but these are strictly for people who are struggling financially so please, don’t take the piss.”The link to the tickets will be emailed to fans on the mailing list on June 1 at 10am BST.The group added in their social media post: “If this is something you might need, sign up to the mailing list at the link in the bio.”A post shared by Sleaford Mods (@sleaford_mods)Earlier this month, it was revealed that Williamson will voice an audiobook version of Alan Moore’s first novel, Voice Of The Fire.The singer will narrate two stories from the 1996

Sleaford Mods frontman Jason Williamson is set to voice an audiobook version of Alan Moore’s first novel, Voice Of The Fire.The singer will narrate two stories from the 1996 book – Chapter 3: In The Drowings, Chapter 10: The Sun Looks Pale Upon the Wall – alongside a cast including the actors Mark Gatiss, Maxine Peake and Toby Jones.Williamson portrays an ancient fisherman in his first reading, before taking on the role of poet John Clare in his second.Released next Thursday (May 20) to mark to novel’s 25th anniversary, the audio edition’s 12th and final chapter, Phipps’ Fire Escape, will be read by Moore himself.

Deadline.“I had been doing comics for 40-something years when I finally retired. When I entered the comics industry, the big attraction was that this was a medium that was vulgar, it had been created to entertain working class people, particularly children.“The way that the industry has changed, it’s ‘graphic novels’ now, it’s entirely priced for an audience of middle class people.