Adam Driver: Last News

While Noah Baumbach‘s latest, “White Noise,” already had its world premiere at the Venice Film Festival, it won’t reach audiences until later this year. But the build-up to the upcoming film commences today with the release of LCD Soundsystem‘s new single “new body rhumba,” the band’s first new material in five years.

Aubrey Plaza has addressed the negative speculation surrounding Francis Ford Coppola’s forthcoming dystopian drama, Megalopolis.The Godfather director struggled to get funding for the film, which has cost $120m (£96m), taken decades to make, and still not found a distributor. There have also been numerous speculative reports regarding Coppola’s behaviour on the set of the film.The film itself received a mixed reaction at is Cannes Film Festival premiere on Thursday (May 16), even drawing boos from some members of the audience.Of the noise surrounding the film and its production, Plaza, who plays journalist Wow Platinum in the movie alongside Adam Driver and Shia LaBeouf, told Deadline: “I thought it was kind of funny.“I would defend Francis all day long, but he doesn’t need my defence,” she said.

Francis Ford Coppola’s 140-minute dystopian drama Megalopolis received a mixed reaction at its Cannes Film Festival premiere on Thursday (May 16), with some members of the audience initially booing.The Godfather director’s new, self-financed film stars Adam Driver as Cesar Catilina, an architect-scientist who wants to improve a fictional version of New York City called New Rome.Audience members reportedly started booing after the film ended. However, according to World of Reel‘s Jordan Ruimy, the boos soon turned to cheers when an “In Memoriam” segment proceeded to play for Coppola’s late wife Eleanor. The director and cast then received a seven-minute standing ovation.“Thank you all so much.

When news first began circulating that distributors found Francis Ford Coppola’s long-awaited passion project “Megalopolis” tough to market, people were quick to shrug their shoulders in response.

Megalopolis, without ever getting round to filming any scenes.The Godfather and Apocalypse Now director is preparing for the world premiere of the film at the Cannes Film Festival this week (May 17), but a new report suggests that many on the film’s crew were left frustrated and confused by his unconventional filmmaking techniques.Speaking anonymously to the Guardian, one crew member explained: “He would often show up in the mornings before these big sequences and because no plan had been put in place, and because he wouldn’t allow his collaborators to put a plan in place, he would often just sit in his trailer for hours on end, wouldn’t talk to anybody, was often smoking marijuana … And hours and hours would go by without anything being filmed.”“And the crew and the cast would all stand around and wait. And then he’d come out and whip up something that didn’t make sense, and that didn’t follow anything anybody had spoken about or anything that was on the page, and we’d all just go along with it, trying to make the best out of it.

For years, the idea of “Megalopolis” has been enough to fuel speculation. How could this film possibly be so important that Francis Ford Coppola was willing to stake his career on it? Not only that, this passion project means so much to the director that he felt compelled to put up his own money to finance the $120 million epic.

Adam Driver plays an architect with the power to control time in the first trailer for Francis Ford Coppola’s long-awaited new film Megalopolis. Watch the clip below.The two-minute teaser shows Driver’s character Cesar Catilina teetering on the roof of a skyscraper.

One of cinema’s living legends, at 85 years old, filmmaker Francis Ford Coppola (“The Godfather,” “Apocalypse Now”) has finally made “Megalopolis,” an ambitious sci-fi epic he’s been dreaming of making since the 1980s. With the film set to premiere at the Cannes Film Festival later this month, in a matter of days, French distributor Le Pacte has released the first look teaser of the movie.

Although legendary filmmaker Francis Ford Coppola is still trying to find a distributor for his decades-in-the-making new drama, “Megalopolis,” we finally have our first official look at “The Godfather” director’s brand new epic sci-fi-ish drama via Vanity Fair. It’s Coppola’s first feature-length film in nearly thirteen years, following 2011’s experimental “Twixt.” Released via Vanity Fair, the first look from the film reveals Adam Driver and Nathalie Emmanuel scanning the horizon atop a building in a futuristic-looking New York City, READ MORE: Cannes 2024: New Films From Yorgos Lanthimos, Frances Ford Coppola, Sean Baker & Andrea Arnold Written and produced by Coppola, the “Apocalypse Now” filmmaker first came up with the idea for the ambitious epic back in 1979 before actively developing the project in 1983.

With “Rebel Moon – Part Two: The Scargiver” hitting Netflix tomorrow, Zack Snyder is making the press rounds to promote his latest film. But the most intriguing stuff he talked about on the Happy Sad Confused podcast didn’t have anything to do with “Rebel Moon” at all.

Francis Ford Coppola kicked off 2024 by confirming that his self-financed magnum opus “Megalopolis” will reach audiences this year. “It’s only going to be a few months and it’ll be out,” Coppola said in January.

French director Leos Carax returned to the Cannes Film Festival in full force back in 2021 with “Annette” (and we’ll forgive the reader if it feels longer ago than that; COVID was a weird time). Carax’s film was Best Director on the 2021 Croisette, a slew of Césars (including another Best Director win), and made several annual top 10 lists by the time 2021 ended.

2024 has a ton of anticipated movies on its release calendar, but none have the same mystique as Francis Ford Coppola‘s “Megalopolis.” The long-gestating, self-financed titan of a film went into production in November 2022, wrapped shooting in March 2023, and …well, since then, FFC has been editing, tinkering, etc. After Coppola stated last May that the film wouldn’t reach audiences in 2023, many wondered if the director had hit a couple of snares in post-production.

Adam Driver is fired up about criticisms of his recent role choices. On an episode of the “SmartLess” podcast, the actor defended playing famous Italian figures in both of his last two movies, “House of Gucci” and “Ferrari.” “So many people have been like, ‘How many Italians… ?’.

Adam Driver has had enough of journalists asking him why he’s played two Italian roles in quick succession on the press tour for Ferrari.The actor made an appearance on the SmartLess podcast with Will Arnett, Jason Bateman and Sean Hayes on Monday (January 1), where the subject of him playing two Italian men in two recent movies came up. Driver played Maurizio Gucci in 2021’s House Of Gucci and Enzo Ferrari in Michael Mann’s biopic Ferrari.Speaking about how he hasn’t been very strategic in his acting career so far, Driver joked that the decision to play the two roles in quick succession was a “good example of not being strategic in a way that I probably should”.“So many people have been like, ‘How many Italians…?’ I’m like, it’s just kind of worked out that way,” Driver said, noting that someone on his PR team should have warned him it would “come up a lot” on the Ferrari press tour.“But I’m like, you know, it’s Ridley [Scott] and it’s Michael [Mann] and they’re in my mind some of the best filmmakers,” he said.

Adam Driver’s been really hitting the pavement doing his best to promote Michael Mann’s “Ferrari,” a film he is clearly very proud of (and as a smaller Neon independent film, likely needs all the press it can get, as it only came out on Christmas Day; listen to our podcast interview with Mann here). And you’ll likely want to file this under, “duh, no sh*t,” but hear us out first.

In this week’s episode of The Discourse, host Mike DeAngelo gets in the driver’s seat to discuss “Ferrari” with director Michael Mann (“Heat,” “Collateral,” “Ali”). The film is based on the real-life of Enzo Ferrari, founder of Ferrari—the Italian luxury sports car manufacturer, who is played by Adam Driver.

played by Adam Driver in the new Michael Mann movie “Ferrari,” which is released on Christmas Day, was anything but. “He would fart and burp and cuss and do what he wanted… He taught himself to calm his baser instincts,” Stacy Bradley, editor and contributing writer to “Enzo Ferrari: The Man and the Machine,” by her late father Brock Yates, on which the hotly anticipated movie is based, told The Post. Bad behavior included “sleeping with hundreds of women” and not minding when his best drivers died in the line of high-speed duty.Never mind that he was married to Laura, and had a longterm mistress, Lina Lardi — played by Shailene Woodley — and a lovechild.

Adam Driver is back to barking in an Italian accent after the heinous “House of Gucci,” only this time he sounds a lot less Russian and thankfully did not take Lady Gaga along for the ride.Running time: 124 minutes. Rated R (some violent content/graphic images, sexual content and language). In theaters Dec.

Immaculate.Sweeney, who is known for her roles in Euphoria and The White Lotus, plays Cecilia, a woman of faith, who discovers frightening and sinister truths on her journey through the European countryside to an Italian convent.While the theatrical release date is still yet-to-be-determined, it has been confirmed that distributor Neon have acquired North American rights to the movie, which will be produced by Teddy Schwarzman of Black Bear, along with Sweeney herself, under her Fifty-Fifty Films name.The movie will see the reunion of several people also involved in creating The White Lotus, with Simona Tabasco starring, and David Bernad of Middle Child Pictures co-producing, who has worked previously with Sweeney on the HBO dark comedy-drama.Immaculate also stars Money Heist’s Alvaro Morte, The Hand Of God’s Dora Romano and Benedetta Porcaroli, known for the Netflix series, Baby.Principal photography for the psychological horror film took place in Rome, and concluded earlier this year.This will mark the second recent collaboration with Neon and Black Bear, following the release of Ferrari, starring Adam Driver and Penelope Cruz, which will open in cinemas on Christmas Day.Sweeney’s recent romcom with Glen Powell, Anyone But You, will open in UK cinemas on December 26.

We are now several years removed from “Star Wars: The Rise of Skywalker” and the end of the “Star Wars” sequel trilogy. With time elapsing, we are finally hearing the stories from the actors about what happened during the conception of the films.

Filmmaker Michael Mann always makes visceral movies; whether it’s the intensity at the heart of a tricky moral decision, the stakes centered in a high-octane heist drama, or the imperative choices felt by men pushed into dangerous corners with few options, his films are always going full-throttle. Fortunately for Mann, this works two-fold in his latest drama, “Ferrari,” a racing drama where everything is at stake for the characters and far beyond just winning a race for bragging rights or the spoils of victory.