Naman Ramachandran After the well-received “Joyland” in 2022 and “In Flames” last year, Pakistan is debuting a central hub at the Cannes Film Festival this year.
The Pakistan Crescent Collective, set up by Modoxy Media, will represent the country’s official presence at the festival, with a mission to “discover and nurture the next generation of talent, preserve film, andpromote Pakistani and diaspora films globally, thereby advancing Pakistan’s visual culture.” The collective consists of a global team of film industry professionals based in London, Karachi, New York and Los Angeles.
Saim Sadiq’s “Joyland” won the Un Certain Regard jury prize in 2022, while Zarrar Kahn’s “In Flames” was a Directors’ Fortnight selection.
Both films were Pakistan’s official submissions to the Academy Awards. Usman Riaz’s animated film “The Glassworker,” which is selected at Annecy, is an homage to films in the style of this year’s honorary Palme d’Or winner Studio Ghibli.
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