Orlando Bloom and Sean Ellis Talk About The Star’s Transformation Into A Past-His-Prime Boxer In ‘The Cut’: “He Was Willing To Have His Nose Broken” – Toronto Film Festival

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Sean Ellis’s sixth feature, following the deliriously atmospheric 19th-century vampire movie Eight for Silver (2021), is yet another curveball from the criminally underrated British director.

Titled The Cut, it is the story of a past-his-prime boxer who goes behind his wife Caitlin’s back to accept a lucrative comeback fight in Las Vegas.

But this is not yet another Rocky-style underdog story, the kind that culminates in the ring. Instead, it is a sometimes-shocking psychological thriller, a sort of boxing procedural that details the extreme lengths that cornered fighters will go to.

On paper, it sounds like Southpaw, but in reality, it has a little more in common with this year’s Cannes hit The Substance, a visceral body-horror movie about a fading starlet (Demi Moore) and her desperate drive to maintain her fame.

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