Ben Croll Mixing two parts maternal melodrama, one part fugitive thriller, and finishing with a precocious, child-actor twist, Nippon TV’s “Mother” format has proven an irresistible international cocktail, driving remake rights and series exports across the globe.
Taking a victory lap of sorts at this week’s Series Mania Forum, Nippon TV’s director of international business development Yuki Akehi joined Spanish producer Eduardo Galdo to unpack this format-sales phenomenon.
Created by Yuji Sakamoto and initially commissioned for broadcast in 2010, “Mother” follows a thirtysomething schoolteacher who feels her first ever pangs of maternal instinct when confronted with an 8-year-old pupil from an abusive home.
Instinctively absconding with the girl and heading out on the lam, the new fugitive and her willing charge forge deep bonds beyond a legal framework. “It’s universal,” says Eduardo Galdo, who developed the Spanish remake “Heridas” for broadcaster Atresmedia. “Like a modern-day Hans Christian Andersen tale, the story shows different versions of motherhood.
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