Owen Gleiberman Chief Film CriticThe vampire genre is a lot like a vampire: It has lived for hundreds of years, and every time you think it’s about to die off it gets an infusion of new blood.
Since the logistics of neck-biting and blood-sucking are no longer incendiary, a vampire movie, novel, or TV series that strikes a chord will tend to be infused with a tasty metaphor, one that reaches beyond the “erotic” obvious.
In the mid-’70s, when the genre had come to seem musty, Stephen King’s “‘Salem’s Lot” (1975) and Anne Rice’s “Interview with the Vampire” (1976) revived it by plugging the gothic tropes of old horror movies into the eccentric nooks and crannies of the contemporary world. “The Lost Boys” converted vampirism into ’80s.
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