Pop film Music

Music review: Sia’s catastrophic directorial debut uses autism like it’s a ‘Live, Laugh, Love’ poster

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Sia once cultivated a transgressive sense of mystery. A cult indie pop artist turned global pop star and songwriter, who’s written tracks such as Rihanna’s “Diamonds”, she would appear on red carpets and on stage wearing elaborate wigs that concealed her face.

We knew little about her outside of her lyrics. She told us that she hid herself in public as a form of protection, fame having always been an unappealing prospect for an artist who began quietly and never intended to be as big as she became.

With her shambles of a directorial debut Music, unwanted fame has been traded for unpleasant infamy. A baffling inspirational drama plagued by bad directorial choices, the film has been trailed by controversy over its depiction of autism.

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