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‘Moonhaven’ Is Smart, Surprisingly Fun and Sometimes Overstuffed: TV Review

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Joshua Alston Science fiction (and speculative fiction, its bespectacled cousin) have always been uniquely fertile ground for political allegory.

And sci-fi’s metaphorical potential only grows stronger when the politics and culture of real-life society start to resemble the surreality of a dark parallel universe or an alternate history.That frisson of topicality is what made Hulu’s “The Handmaid’s Tale” a critical and commercial success in its early seasons. “Handmaid’s” acclaim and viewership have anecdotally ticked down in subsequent seasons, but when the U.S.

Supreme Court voted to nullify a half-century of reproductive freedom, dozens of women showed up to protest in “Handmaid’s” sadly iconic red-robe-and-white-blinder ensemble.

It’s proof in essence that Margaret Atwood’s narrative, as vividly rendered in creator Bruce Miller’s imagery, has become more popular as political ideology than they ever were as stories.

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