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Mitski Is a Mesmerizing Study in Movement, and in Pedal-Steel Pop, at L.A.’s Shrine: Concert Review

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variety.com

Chris Willman Senior Music Writer and Chief Music Critic Mitski is such a cerebral record-maker that I didn’t expect to be coming away from her 2024 shows making proclamations that I might have just seen the best-choreographed tour of the year.

But it’s true: Her run of three shows at L.A.’s Shine Auditorium was the kind of unexpected, advanced study in movement that couldn’t possibly be guessed just from listening to her records — the latest and best of which was last year’s pretty heady “The Land Is Inhospitable and So Are We.” Just to be clear, invoking choreography here doesn’t mean Mitski brought along a herd of backup hoofers, which would be unbecoming for an erstwhile indie-rocker, if de rigueur for the pop stars she may also be reasonably rated against now.

The dancing is hers, all hers, as she singer spends her full 90 minutes on stage striking poses and being moved by the music in programmatic but viscerally engaging ways.

You could say she’s got a healthy amount of David Byrne in her, almost irrespective of the fact that the two of them collaborated and shared a best song Oscar nomination last year.

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