‘Mission: Impossible’ stars Pom Klementieff and Vanessa Kirby “stopped breathing” during Tom Cruise stunt

AMC Networks dropped a teaser for season 2 of Anne Rice’s Interview with the Vampire featuring Delainey Hayles as the new teenage vampire Claudia.

EXCLUSIVE: There is no deal in sight for the writers and actors with the studios and streamers, but one of Hollywood’s consummate dealmakers was on the picket line today in New York City

**Spoilers below for “Mission: Impossible — Dead Reckoning Part 1.” You’ve been warned…** The threat of death is an underlying aspect of every ‘Mission: Impossible’ film. Honestly, that threat doesn’t just apply to the characters and their gunfights and elaborate car chases.

The adage of Hollywood and or pundits who closely follow Hollywood, writers, armchair analysts, etc., is that you should always have a plan and never just “make it up as you go.” Filmmaking is such a massive endeavor and a massively expensive endeavor, a plan to execute all the ambitious things you want to do is critical, and it’s why some big films feature massive and extensive pre-production periods: precisely to map out and work out how to pull all that stuff on in advance so on the day of shooting, no one is wasting money.

Jazz Tangcay Artisans Editor SPOILER ALERT: This story contains spoilers from “Mission: Impossible – Dead Reckoning Part One,” now playing in theaters. “Mission: Impossible – Dead Reckoning Part One’s” jaw-dropping train sequence in the film’s third act features Tom Cruise’s Ethan Hunt fighting Esai Morales’ Gabriel on the roof of a locomotive as it hurtles down a track at 60 mph. The set piece was originally supposed to be much longer. The scene climaxes with the train plunging off a bridge one carriage at a time during which Ethan and Grace (Hayley Atwell) cling on for dear life as they climb back up through the train.

The Hollywood Reporter.The 61-year-old reportedly rallied against the takeover of artificial intelligence in a statement now echoed by thousands of actors and entertainers in Hollywood, who are striking with the Writers Guild of America (WGA) for the first time in over six decades.Cruise hopped on the call in a desperate bid to get the AMPTP to re-evaluate its stance on AI in the TV and film streaming era.The actor’s latest “Mission: Impossible” movie has ground to a halt as a result of the strike action, as have dozens of other high-profile projects, including the “Avatar” sequel, “Gladiator 2” and “Deadpool 3.”During the Zoom call, Cruise also addressed the guild’s stance on stunt actors, according to the outlet.The actor asked the AMPTP to allow performers to continue on with their press tours following the strike, due to the “fragile state of movie theaters” following the pandemic.He said promoting films is just as “important” to the actors as it is to the studio, the outlet adds.The union protecting Hollywood’s biggest A-listers on Thursday joined forces with screenwriters on the picket line after voting to shut down production across the entertainment industry, which may result in a drought of shows and movies in the near future.The SAG-AFTRA unanimously voted to stop working after their contract expired and talks broke off with the Alliance of Motion Picture and Television Producers (AMPTP), which represents streaming giants like Disney, Netflix, Amazon and others.The strike marks the first time the 160,000-member-strong SAG-AFTRA has walked off film and TV jobs since 1980.The actor-screenwriter strike is the first joint walkout in more than six decades.Both SAG-AFTRA and the WGA are demanding a rise in pay and

Ahead of the recent breakdown of contract negotiations between SAG-AFTRA and the Alliance of Motion Picture and Television Producers, Tom Cruise spoke with reps for both parties about issues like AI and project promotion, as well as a few concerning stunt professionals, Deadline has confirmed.

SPOILER ALERT: This story contains spoilers from “Mission: Impossible – Dead Reckoning Part One,” now playing in theaters. The “Mission: Impossible” movies have no shortage of death-defying stunts, but the Tom Cruise-starring action franchise is known for another iconic magic trick: its mask reveals. “Dead Reckoning Part One” features two mask reveals — in the first, Cruise’s Ethan Hunt uses a mask to infiltrate a meeting between CIA director Eugene Kittridge (Henry Czerny) and officials from various intelligence agencies about a rogue artificial intelligence system, known as the Entity. The other is a face swap between Hayley Atwell’s Grace, a pickpocket who becomes embroiled in IMF’s hunt for the Entity, and Vanessa Kirby’s black-market arms dealer Alanna Mitsopolis, aka the White Widow.

Marc Malkin Senior Film Awards, Events & Lifestyle Editor SAG-AFTRA held an informational meeting for about 500 people over Zoom on Monday afternoon. Among those who signed on were actors Lupita Nyong’o, Vanessa Kirby, Melissa McCarthy, Vanessa Hudgens, Lucy Liu,  Laverne Cox, Michael Stuhlbarg, Paul Walter Hauser, Jon Huertas and Josh Pence, according to a source. CAA’s Bryan Lourd, Faith France and Ryan Abboushi also attended, as did UTA’s Kristen Saig and Kris Heller of APA Agency. Publicists included Mara Buxbaum, Jill Fritzo, Luke Windsor, Brianna Smith and Cheryl Maisel. The meeting was led by SAG-AFTRA national executive director and chief negotiator Duncan Crabtree-Ireland. The guild shared a one-sheet of talking points for participants. Among the bulleted items on revenue sharing, health care and retirement, online casting platforms and artificial intelligence, the memo states, “Without a transformative change in SAG-AFTRA’s current contract with the AMPTP, the acting profession will no longer be an option for future generations of performers, and actors already working in the industry will need to pursue other careers in order to survive.”

EXCLUSIVE: AMC’s Interview with the Vampire Season 2 has paused production due to the actors strike, despite the fact it is filmed outside the U.S. with a majority international cast.

Patrick Frater Asia Bureau Chief Tom Cruise has become a regular visitor to South Korea and, while his latest visit was more than a week ago, the impact of his efforts appeared to endure. His ‘Mission: Impossible – Dead Reckoning’ got off to the second strongest start at the Korean box office of any Hollywood movie released this year. The film grossed $9.75 million between Friday and Sunday, according to Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 60% market share, earned from some 2,400 screens. In its full opening five days (plus previews), it earned $14.2 million.

SATURDAY PM UPDATE: Facts are facts, and Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One set a 5-day opening domestic record for the franchise with $80M, we hear.

according to IMDB’s Box Office Mojo.The action spy flick, which the Post lauded as “summer’s best movie,” was released in select theaters on Monday, with a wider release on Wednesday.“Sound of Freedom,” which is in third last week, moved up to the No. 2 spot, earning close to $7.5 million.

Todd Gilchrist editor Named after a word that sounds similar in Korean to both “spring” and “tiger,” Pom Klementieff has appropriately showcased ebullience and viciousness throughout her career — and especially in the past few months. In May, she reprised her role as Mantis in “Guardians of the Galaxy Vol. 3,” empathetically shepherding her fellow outcasts through an adventure to save Rocket Raccoon (Bradley Cooper) from unapologetic MCU villain the High Evolutionary (Chukwudi Iwuji). She also appears in “Mission: Impossible — Dead Reckoning Part One” as Paris, a ruthless assassin who will stop at nothing to kill Ethan Hunt (Tom Cruise) and anyone else who gets in her way. Ahead of “Dead Reckoning Part One,” Klementieff spoke to Variety about her character in the film, whose backstory she worked closely with Cruise and writer-director Christopher McQuarrie to develop. In addition to talking about how she “manifested” the opportunity to be a part of the franchise, she revealed the panorama of influences — from Jean-Paul Belmondo to animal videos on YouTube — she enlisted to ensure that audiences never forget Paris.

EXCLUSIVE: Hayley Atwell predicted that she’d be on strike now.

Todd Gilchrist editor Since “Mission: Impossible III” in 2006, Simon Pegg has been part of the core ensemble of the “Mission: Impossible” franchise, playing hacker and sometime field agent Benji Dunn opposite its stalwart star Tom Cruise as Ethan Hunt. Pegg was never going to be the actor risking life and limb on screen — “it’s Benji’s job to be the one that actually says, ‘what the fuck are we doing here?’,” he observes. But over five installments of the indefatigable series, his character has shifted from questioning what Ethan is doing in the moment to believing absolutely in why he’s doing it, thanks in no small part to the writing and directing of Christopher McQuarrie. McQuarrie came onto “Ghost Protocol” as “a sort of master plumber to re-wriggle the pipes,” as Pegg characterizes it, and since became the series’ ongoing co-architect with Cruise. Their partnership reaches its peak, even if by all indications it’s far from over, with “Mission: Impossible — Dead Reckoning Part One,” half of an operatic culmination of narrative seeds planted since Cruise first played Hunt back in 1996. In a conversation with Variety, Pegg discusses what makes McQuarrie’s creativity so special, and his collaboration with Cruise et al so unique; he also talks about new details he discovered about Benji, explored the challenges of being self-referential in a franchise like this without undermining emotional stakes, and hinted at what is yet to come as he and the rest of the filmmaking team move on to “Dead Reckoning — Part Two.”

Zack Sharf Digital News Director SPOILER ALERT: This story discusses the ending of “Mission: Impossible – Dead Reckoning Part One,” currently playing in theaters. “Dead Reckoning,” the seventh installment of the “Mission: Impossible” franchise, is the latest Hollywood blockbuster to be split into two movies, but Tom Cruise and writer-director Christopher McQuarrie tried their hardest to give “Part One” a non-cliffhanger conclusion. The filmmaker recently told Total Film magazine that thinking about how to conclude the first of two movies kept Cruise up at night during the filming of “Part One.” “Where we ended the movie was always where we were going to end it,” McQuarrie said of the train action sequence. “How we ended the movie was a big, big mystery for us. It kept Tom awake at night throughout production. He would come in all the time and say, ‘This can’t be a cliffhanger, it’s got to be satisfying.’ The audience has to feel a sense of completion.”

Something that’s brought up in a new Happy Sad Confused podcast with “Mission Impossible: Dead Reckoning—Part One” star Hayley Atwell. The host of the podcast, Josh Horowitz, essentially says ‘Mission Impossible’ movies should not work.

Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One is off and running overseas with a $39.8M cume through Thursday in 48 international box office markets. This includes Wednesday openings in some markets and a strong paid preview program. With domestic’s Wednesday/Thursday plus previews, that brings the global total on the Tom Cruise-starrer to $$63.6M through yesterday.

Brent Lang Executive Editor “Mission: Impossible – Dead Reckoning Part One” netted $8.3 million at the box office on Thursday, pushing the action sequel’s North American gross to $23.8 million after two days of release. The film, which finds Tom Cruise’s Ethan Hunt hurtling off cliffs, fighting knife-wielding bad guys on trains and evading pursuers while driving a Fiat through the streets of Rome, was incredibly expensive to produce. Shot during the pandemic (with all the attendant shutdowns, delays and health protocols that were a staple of the COVID era), the budget on the film ballooned to $290 million. So “Mission: Impossible” will need to generate a lot of repeat business if it’s going to turn a profit, and it needs to boom at the global box office.

Mission: Impossible – Dead Reckoning Part One stars Simon Pegg and Rebecca Ferguson have revealed the secret Morse Code meaning behind the franchise’s theme.Speaking to NME, the pair shared that they were recently made aware of the secret while appearing the Today FM show Dermot & Dave, hosted by Dermot Whelan and Dave Moore.“This is an amazing fact,” began Pegg. “Dave from Dermot & Dave, an Irish Radio show told us that when Lalo Schifrin wrote the original music, the theme, [he put in] two dashes, two dots [which translates to] ‘MI’,” the actor explained while sounding out the tune.“Stop it, it’s true!” interjected Ferguson, who was equally as excited to share the little-known fact.Lalo Schifrin, an Argentine composer, recorded the M:I theme in 1967.