Troubled musicals, like troubled friendships, can often seem like defeats lying in wait, sponging up every last second of loving care, effort and good intention.
So Maria Friedman’s smartly tended production of that most troubled of stage properties, the Stephen Sondheim-George Furth backwards musical Merrily We Roll Along deserves all the applause – and ticket-buying business – it’s getting at Broadway‘s Hudson Theatre.
Opening tonight, the musical is drawing rapturous audience responses, no doubt in large part because of the splendid performances by three very appealing stars – Daniel Radcliffe, Jonathan Groff and Lindsay Mendez.
But even if we could, for the sake of argument, put the talents of this delightful trio singing some of Sondheim’s loveliest songs, aside for a moment, the undeniable charm of this production has to be credited to a sort of relief – the relief of knowing that, for the most part, Friedman and her excellent creative team have ensured that we onlookers needn’t spend our Merrily time picking over the faults and fumbles that Furth and Sondheim could never quite eradicate.
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