Aramide Tinubu Parenting inspires varying schools of thought. While some relish the tasks of caretaking, others speak candidly about the hardships of child-rearing, sharing the true realities of motherhood that have been glamorized over time.
In “Mary Jane,” the 2017 play written by Amy Herzog and making its Broadway debut under Anne Kauffman’s direction, viewers witness both a young mother’s joy and her anguish as she works around the clock to keep her disabled toddler alive. “Mary Jane” opens in Queens, New York.
Mary Jane (Academy Award nominee Rachel McAdams) sits in the small kitchen of her one-bedroom apartment, speaking to her super, Ruthie (Brenda Wehle).
While Ruthie plunges desperately into the clogged sink, Mary Jane chats aimlessly. As she drones on with an eerie cheeriness, desperate to fill in the dead air, it’s immediately apparent this is a rare opportunity for her to socialize.
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