latest flesh-and-blood cash grab that’s more lifeless than far better two-dimensional painted drawings.The magic and soul of the studio’s animated classics never, ever translate to this colder, realistic context, and still they keep churning them out.
Why learn their lesson? “The Lion King” and “Beauty and the Beast” both grossed over $1 billion. The movies don’t need to be high-quality because the titles and logos do the heavy-lifting for them.
While director Rob Marshall (“Chicago”) and writer David Magee make enough prudent changes to ensure their musical film functions efficiently, many alterations seem to exist only to achieve a bloated two-hour runtime or to wedge Lin-Manuel Miranda’s name into the end credits.For instance, when a smitten Prince Eric (Jonah Hauer-King) takes speechless Ariel (Halle Bailey) around his island kingdom, the Caribbean carriage ride is more of the “Gilligan’s Island” length — a three-hour tour.
That’s one of many middling efforts to deepen the prince’s character from just a smile on legs. We also are pointlessly told that he is adopted, and not of royal blood, lazily implying Eric is somehow more in-tune to the plight of the common man.
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