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Vanessa Hudgens

Vanessa Anne Hudgens (born December 14, 1988) is an American actress and singer. After making her feature film debut in Thirteen (2003), Hudgens rose to fame portraying Gabriella Montez in the High School Musical film series (2006–2008), which brought her significant mainstream success.

The success of the first film led to Hudgens' acquiring a recording contract with Hollywood Records, with whom she released two studio albums, V (2006) and Identified (2008).

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Manuel Miranda Vanessa Hudgens Lin-Manuel Miranda Andrew Garfield Jonathan Larson Steven Levenson Myron Kerstein Andrew Weisblum film song Music and Manuel Miranda Vanessa Hudgens Lin-Manuel Miranda Andrew Garfield Jonathan Larson Steven Levenson Myron Kerstein Andrew Weisblum

Lin-Manuel Miranda and the Editors of ‘Tick Tick Boom’ on Cutting ‘Therapy’

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variety.com

Jazz Tangcay Artisans EditorIn “Tick, Tick, …Boom!” the song “Therapy” is performed by Jonathan Larson, played by Andrew Garfield and Karessa played by Vanessa Hudgens.

The number intercuts mid-argument between Larson and girlfriend Susan (Alexandra Shipp), as they fight over Jonathan’s reluctance to understand that he has been shutting Susan out of his life as his musical’s workshop gets closer.Director Lin-Manuel Miranda says the song, a Fosse-style inspired moment, is a charming number that pokes fun at counselor therapy speak, and the best way to tell your partner you’re ticked off at them.

Says Miranda, “The tone of that song was on a collision course with where our characters were.”In an interview with Variety, Miranda and WGA nominated screenwriter Steven Levenson explained they had road-mapped every song in the film with a postcard or note. “We settled on a big swing — this is our cabaret moment.

The directive was to intercut from this very cute, funny song to the most knockdown drag-out real shit, they could say to each other at this moment because they’ve been heading towards this for the whole film.” At one point, Levenson questioned whether the song would even make it into the film. “It feels so totally off and was larger than life in a way that most of the songs are much more grounded.”But he and Miranda flew into the fun challenge of making it work.“It felt like it could be a fun way of showing how something so deadly serious can become a musical with a capital M,” Levenson says, and the idea of mixing in the “Cabaret” inspired moments would make for great editing.That’s where co-editors Andrew Weisblum and Myron Kerstein stepped in.

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